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CANON EOS R6 Mark III


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CANON EOS R6 Mark III

 

The Super Hybrid
Built to be the high-performance all-arounder for creatives who work in both photo and video, the Canon EOS R6 Mark III deftly combines an array of hybrid capabilities, upgraded imaging, and revised handling and design to suit shooters working in a wide variety of scenarios. A new 32.5MP sensor pairs with DIGIC X processing to offer 7K video recording, up to 40-fps photo shooting, improved Dual Pixel CMOS AF II with Register People Priority, more robust 8.5-stop image stabilization, and the R6 Mark III now also accepts both CFexpress Type B and SD memory cards for flexible file storage.
Offering a 34% increase in resolution over its predecessor, the R6 Mark III sports a 32.5MP full-frame CMOS sensor that offers greater sharpness, print resolution, and cropping ability. This sensor pairs with a DIGIC X processor to help deliver excellent image quality, low noise, and a broad sensitivity range. Additionally, the processing power manages the advanced Dual Pixel CMOS AF II system along with continuous shooting, video recording, and IBIS functions.
Borrowed from the R3, the R6 Mark III’s upgraded processing suits the multimedia nature of the camera. Capable of processing high speed bursts as well as high-res 7K video, the DIGIC X supports up to 40 fps continuous shooting with a silent electronic shutter or 12 fps with a mechanical shutter, with AF and AE readings before each frame. There is also a Pre-Continuous Shooting setting that permits capturing an additional 20 frames prior to fully pressing the shutter button, to make sure you don’t miss split-second movements.
SCN Shooting Modes
Intended for newcomers to photography, or those looking for a convenient alternative to post-production, a variety of SCN modes can affect how photos look directly in camera:

  • The R6 Mark III is the most advanced camera to feature SCN modes that adjust shooting settings using scene-specific auto exposure. The available modes include Portrait, Smooth Skin Portrait, Group Photo, Landscape, Panoramic Shot, Sports, Kids, Panning, Close-up, Food Night Portrait, Handheld Night Scene, HDR Backlight Control, and even Silent Shutter.
  • For video applications, Smooth Skin Movie, Close-Up Demos, Movie IS, and HDR settings can be used.
7K Video Recording
Beyond photography, the R6 Mark III is a highly capable video camera that suits creators working across mediums:
  • Using a similar sensor to the EOS C50 Cinema Camera, the R6 Mark III can internally record 7K video up to 60p in 12-bit Canon RAW Light Movie. If recording externally, to an optional external recorder, 7K footage up to 30p in ProRes RAW can be shot.
  • For especially sharp and clean footage, 4K FINE mode employs oversampling for improved image quality in DCI 4K and UHD 4K resolutions in the XF AVC S format.

 

  • Open Gate 3:2 recording is possible in 7K 30p in 10-bit MP4 or 12-bit RAW formats; Open Gate recording is especially useful for those producing social media videos as there is a greater recording area to crop from when resizing footage to vertical 9:16 format or to other unique aspect ratios, like 1:1, 4:3, or 4:5.

 

  • One of the biggest improvements over the R6 Mark II, the R6 Mark III has much-improved slow-motion/high-speed recording capabilities. It now supports both DCI 4K and UHD 4K recording at up to 119.8p for 5x slow motion playback in a 23.98p timeline. When you move down to DCI 2K and Full HD resolutions, 179.8p recording is possible. And, audio recording is supported for all resolutions and frame rate options except in S&F mode.
  • A new Slow and Fast Motion (S&F) mode can be accessed from the Mode dial with control over the resolution, frame rate, playback speed, and compression.
LUTs and Color Control
For more in-camera control over the look of footage, the R6 Mark III has a handful of color and style tools to affect the look of your imagery:
  • The Canon Log 2 profile can be used to improve dynamic range and gain 15+ stops of exposure latitude for more control while color grading.
  • LUTs can be used in-camera via the Apply Look function; you can register 17-grid or 33-grid .cube LUTs and register them as Custom Picture files to apply directly while recording. LUTs can also be transferred to the camera via the Canon Camera Connect app.
  • 14 Color Filters are a convenient way to directly add color and tone adjustment directly to JPEG photos or MP4 videos.
  • A new Custom Picture menu provides direct access to Canon Log 2, Canon Log 3, HLG, PQ, Canon 709, BT.709, Color Filters, and other user adjustable parameters.
Additional Video Functions
  • Pressing the Magnify button while recording lets you enlarge the image to check focus without interrupting the clip.
  • Pre-Recording starts recording a clip up to 5-second prior to pressing the record button to help ensure you don’t miss an unpredictable moment.
  • Auto Level works in conjunction with the In-Body Image Stabilizer to adjust the sensor so it’s level to the scene’s horizon.
  • Focus breathing correction can be used with compatible lenses to mitigate the effects of optical focus breathing.

 

Dual Pixel CMOS AF II
Updated using technology from the EOS R1 and EOS R5 Mark II cameras, the Dual Pixel CMOS AF II system is an especially fast, responsive, and precise focusing system for both stills and video needs.

 

  • This phase-detection system has intelligent Subject Detection that can recognize People, Animal, and Vehicle subjects; once detected, Dual Pixel CMOS AF II is adept at locking onto subjects and tracking them while moving.
  • Featured for the first time in an EOS 6-series camera, Register People Priority allows you to photograph a person and register them in-camera to prioritize them over other people in a scene. This helps to acquire focus on your intended subject when photographing in a crowded scene. Up to 10 different people can registered at a time.

 

 

  • Four new AF area options have been added, along with the ability to cancel tracking and subject detection, and the R6 Mark III can also register and recall different AF settings to allow for easier mode switching.
  • Custom button functions can be set to register a focus preset position to function similarly to the focus recall buttons of Canon’s super-telephoto lenses.
  • Movie Servo AF focus algorithm has been borrowed from C400 and C80 cameras to make autofocus pulls look more natural and akin to manual focus pulling.
8.5-Stop Sensor-Shift Image Stabilizer
An upgraded In-Body Image Stabilizer (IBIS) now compensates for up to 8.5 stops of camera shake at the center of the frame, and 7.5 stops at the periphery of the image, for sharper handheld shooting in low-light conditions and to help reduce the appearance of shake when recording videos. While greatly benefitting working with non-stabilized lenses, this system can also be used with lenses featuring IS with Coordinated Image Stabilization that pairs both in-body and lens-based IS.

Additionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.

Body Design
EVF and Vari-Angle Touchscreen LCD
  • High-resolution 3.69m-dot 0.5″ 0.76x electronic viewfinder provides a bright and detailed means for eye-level viewing and the OVF View Assist feature provides a more lifelike and realistic viewfinder experience with greater dynamic range and rendering inspired by an optical finder.
  • Rear 3.0″ 1.62m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.
  • Benefitting video shooters, exposure monitoring tools from Cinema EOS cameras are featured, too, including zebra display, flase color, and waveform monitor.

 

Reliable and Intuitive Handling
  • Enabling higher-resolution recording at faster speeds, the R6 Mark III sports dual memory card slots—one CFexpress Type B slot and one SD slot with UHS-II V90 card support. This configuration enables photographers to shoot continuously for extended periods of time and for videographers to record at the highest resolution for longer clips.
  • Built for reliability, this camera features a magnesium alloy chassis and touts a dust- and moisture-sealed design that’s suitable for working in inclement conditions.
  • Shutter unit has passed 500,000 cycles of durability testing, matching the shutter unit used in the R5 Mark II.

 

  • Multi-Function Shoe uses a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries, including the DM-E1D Stereo Microphone, EL-5 Speedlite, and ST-E10 Speedlite Transmitter, among others, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.
  • Now compatible with the upgraded LP-E6P battery, the R6 Mark III is rated for 620 shots per charge.
  • Compatible with optional Battery Grip BG-R20 for extended battery life and to improve ergonomics when shooting vertically.
Flexible Connectivity
Wired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera.
  • USB-C 3.2 Gen 2 port for in-camera charging and file transfers; this port also enables using the camera as a Full HD 30p webcam with support for UVC/UAC protocols.
  • 3.5mm headphone and external microphone ports.
  • HDMI port for working with an external recorder.
  • Bluetooth and 5/2.4 GHz Wi-Fi for wireless transfers and remote camera control from mobile devices via the Canon Camera Connect app.
  • FTP server function supports professional’s needs for sending files directly to computers, servers, or NAS devices and the Canon Content Transfer Professional app supports more advanced transfer needs, including the ability to enter metadata, filter imagery, and sort files.
  • Borrowed from the R5 Mark II, you can easily save and load communication settings for frequently visited networks.

Specification

Image Sensor

Type

35.9 x 23.9 mm CMOS

Effective Pixels

Approx. 32.5 megapixels

Total Pixels

Approx. 34.2 megapixels

Aspect Ratio

3:2

Low-Pass Filter

Built-in/Fixed

Sensor Cleaning

EOS integrated cleaning system

Colour Filter Type

RGB Primary Colour

Sensor Shift-IS

Yes, up to 8.5-stops advantage at the center and 7.5-stops peripheral depending on the lens used1

Image Processor

Type

DIGIC X

Lens

Lens Mount

RF / RF-S
EF and EF-S lenses can be attached using: Mount Adapter EF-EOS R Control Ring Mount Adapter EF-EOS R, Drop-In Filter Mount Adapter EF-EOS R
EF-M lenses are not compatible

Focal Length

Equivalent to 1.0x the focal length of the lens with RF and EF lenses, 1.6x with EF-S and RF-S lenses.

Focusing

Type

Dual Pixel CMOS AF II

AF System / Points

100% horizontal and 100% vertical with Whole Area AF or Subject detection selected 2

AF Working Range

EV -6.5 – 21 (at 23°C & ISO100)3

AF Modes

One Shot, Servo AF, AI Focus AF

AF Methods

Automatic selection: 1053 Available AF areas when automatically selected

AF Point Selection

Manual selection: Spot AF
Manual selection: 1-point AF (AF frame size can be changed) 6097 (stills)/ (4641) movie AF positions available
Manual selection: AF point Expansion 4 points (up, down, left, right)
Manual selection: AF point Expansion surrounding
Manual selection: Flexible Zone AF 1-3 (all AF points divided into minimum 9 to 999 maximum focusing zones, where the width and hight is also adjustable)
Manual selection: Whole area AF
Manual selection: Spot AF (Whole area tracking servo AF OFF)
Manual selection: 1-point AF (Whole area tracking servo AF OFF)
Manual selection: AF point Expansion 4 points (up, down, left, right) (Whole area tracking servo AF OFF)
Manual selection: AF point Expansion surrounding (Whole area tracking servo AF OFF)

AF Tracking

Humans (Eyes, Face, Head, Body), Animals (Dogs, Cats, Birds and Horses) or Vehicles (Racing cars or Motor bikes, Airplanes and Trains), Register People Priority4 (up to 10 registered people)

AF Lock

Locked when shutter button is pressed halfway or AF ON is pressed in One Shot AF mode. Using customised button set to AF stop in AI servo

AF Assist Beam

Emitted by built in LED or optional dedicated Speedlite (flash)

Manual Focus

Selected on lens

Focus Bracketing

Yes with In-camera depth compositing supported in JPEG, HEIF, RAW, or C-RAW formats

Exposure Control

Metering Modes

Real-time with image sensor, 384-zone metering.
(1) Evaluative metering (linked to All AF points)
(2) Partial metering (Approx. 6.2% of screen at centre)
(3) Spot metering: Centre spot metering (Approx. 2.9% screen at centre) AF point-linked spot metering not provided
(4) Centre weighted average metering

Metering Brightness Range

EV -3 – 20 (at 23°C, ISO100, with evaluative metering)

AE Lock

Auto: AE lock takes effect when focus is achieved Manual: By AE lock button in P, Av, Fv, Tv and M modes

Exposure Compensation

+/-3 EV in 1/3 or 1/2 stop increments (can be combined with AEB)

AEB

+/-3 EV in 1/3 or 1/2 stop increments

Anti-flicker Shooting

Yes. Flicker detected at a frequency of 100 Hz or 120 Hz. Maximum continuous shooting speed may decrease available with both electronic and mechanical shutter
High Frequency anti flicker shooting for M and TV modes
Electronic shutter: 1/50.0 to 1/8192.0 sec.
Movie recording: 1/50.0 to 1/8192.0 sec. (NTSC/PAL)
Maximum continuous shooting speed may decrease.

ISO Sensitivity

Open

Auto 100-64000 (in 1/3-stop or 1 stop increments)
ISO can be expanded to L:50, H:1024005

Shutter

Type

Electronically-controlled focal-plane shutter and Electronic shutter function on sensor

Speed

Electronic shutter: 30-1/16000 sec (1/2 or 1/3 stop increments), Bulb
Mechanical / Electronic 1st Curtain shutter: 30-1/8000 sec (1/2 or 1/3 stop increments), Bulb
(Total shutter speed range. Available range varies by shooting mode)

Shutter Release

Soft touch electromagnetic release

White Balance

Type

AWB (Ambience priority/White priority)- Shockless WB in movie recording, Daylight, Shade, Cloudy, Tungsten light, White Fluorescent light, Flash, Custom, Colour Temperature Setting

Settings

White balance compensation:
1. Blue/Amber +/-9
2. Magenta/Green +/-9

Custom White Balance

Yes, 4 setting can be registered for still and video

WB Bracketing

+/-3 levels in single level increments 3, 2, 5 or 7 bracketed images per shutter release
Selectable Blue/Amber bias or Magenta/Green bias

Viewfinder

Type

0.5-inch OLED colour EVF

EVF Refresh Rate

Up to 120fps

Dot Count

3.69 Million dots

Coverage (Vertical/Horizontal)

Approx. 100%

Magnification

Approx. 0.76x6

Eyepoint

Approx. 23mm (from eyepiece lens centre)

Dioptre Correction

-4 to +2 m-1 (dioptre)

Brightness

Auto: Automatic adjustment to suit brightness (metering results)
Manual: Adjustable in a range of 1–5

Exposure Simulation

Optical viewfinder simulation (View assist) can be turned On / Off7

Display Settings

Viewfinder display format: Display 1 / Display 2 (with black border)
Image review Viewfinder display: On / Off

Display Performance

Power saving: 59.94 fps Smooth 119.98 fps , supress low frame rate 60 -119.8fps8 (5 level of brightness)

Sensor

Yes

Viewfinder Information

AF point information, Exposure level indicator, Shooting mode, ISO speed, Shutter speed, Aperture, Number of remaining multiple exposures, Exposure compensation, HDR shooting, Highlight tone priority, Multiple-exposure shooting, Number of self-timer shooting, Digital Lens Optimizer, Maximum burst, AF method, Battery level, Electronic level size, AF operation, Exposure simulation, Drive mode, AEB, Metering mode, FEB, Anti-flicker shooting, Still photo cropping, 2 sets of Aspect markers during video recording, Auto Lighting Optimizer, AE lock, Picture Style, Flash-ready, White balance, Flash off, White balance correction, FE lock, Image Quality, High-speed sync, Bluetooth function, Wi-Fi function, Multi-function lock warning, Histogram, Waveform monitor, Electronic level, Lens information, focus distance scale, vertical exposure scale, Grid,

Vertical Display

In still photo shooting

Depth of Field Preview

Yes, via customised button

LCD Monitor

Type

7.5cm (3″) TFT Colour LCD, approx. 1.6million dots

Coverage

Approx. 100%

Viewing Angle (Horizontally/Vertically)

Approx. 170° vertically and horizontally

Coating

Anti-smudge coating provided.

Brightness Adjustment

Auto, Manual: Adjustable to one of seven levels / Colour Tone Adjustment: 4 settings

Touch Screen Operations

Capacitive method with menu functions, Quick Control settings, playback operations, and magnified display. AF point selection in still and Movies, touch shutter is possible in still photo shooting.

Display Options

Basic Camera settings
(2) Advance Camera settings
(3) Camera settings plus histogram and dual level display
(4) No info
(5) Quick Control Screen

Flash

Modes

E-TTL II Auto Flash, Metered Manual

X-Sync

When [Cropping/aspect ratio: Full-frame] is set: 1/200 sec mechanical shutter / 1/250 electronic 1st curtain9,
When [Cropping/aspect ratio: 1.6x (crop)] is set: 1/250 sec mechanical shutter / 1/320 electronic 1st curtain.10

Flash Exposure Compensation

+/- 3EV in 1/3 increments with EX and EL series Speedlite flashes

Flash Exposure Bracketing

+/- 3EV in 1/3 increments with EX and EL series Speedlite flashes

Flash Exposure Lock

Yes

Second Curtain Synchronisation

Yes via Speedlite

Multi-Function Shoe / HotShoe / PC Terminal

Yes/No

External Flash Compatibility

EL series Speedlites, EX series Speedlites, Macrolites, Wireless multi-flash support

External Flash Control

via camera menu screen

Shooting

Modes

Stills: Scene Intelligent Auto, Scene Mode, Flexible priority AE, Program AE, Shutter priority AE, Aperture priority AE, Manual, Bulb and Custom (x3)
Movie: Scene Intelligent Auto, Scene Mode, Program AE, Shutter priority AE, Aperture priority AE, Manual, Bulb and Custom (x3) S&F

Special Scene Modes

Portrait, Smooth skin, Group photo, Landscape, Panoramic shot, Sports, Kids, Panning, Close-up, Food, Night Portrait, Handheld Night Scene, HDR Backlight Control, Silent shutter

Picture Styles

Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined (x3)

Colour Space

SDR: sRGB and Adobe RGB HDR PQ: BT.2020
Highlight Tone Priority (3 settings)
Auto Lighting Optimizer (4 settings)
Long exposure noise reduction (3 settings) (still only)
Clarity
High ISO speed noise reduction (4 settings) (still and video)
Lens optical correction:
– Peripheral illumination correction (Both Stills photo shooting/Movie Recording)
– Chromatic aberration correction (Both Stills photo shooting/Movie Recording)
– Distortion correction (Both Stills photo shooting/Movie Recording (with Rf/RF-S lenses))
– Focus breathing correction (during video only)
– Diffraction correction (Both Stills photo shooting/Movie Recording)
– Digital Lens Optimizer (during/after still photo shooting)

Image Processing

Resize to M, S1, S2
Cropping: JPEG images can be cropped (Aspect ratios 3:2, 16:9, 4:3, 1:1, 2:3, 9:16, 3:4)
Cropping of images
– Switch between vertical and horizontal cropping orientation
– Cropping frame can be moved using touch screen operation
RAW image processing
Multiple exposure
HDR
HEIF to Jpeg conversion (inc Batch conversion)
Focus Bracketing and in camera composition

Drive Modes

Single, Continuous High+, Continuous High, Continuous Low, Customisable Continuous shooting speeds, Self-timer (2s+remote, 10s+remote, continuous)

Continuous Shooting

Max. Approx. 12 fps. with Mechanical shutter/1st curtain electronic speed maintained for 1000+ JPEG / RAW Files (CFexpress) and 400 RAW / 1000+ JPEG images (SD card) or at 40 FPS with electronic shutter speed maintained for 330 JPEG (CFexpress/SD Card ) and 150/140 RAW images (CFexpress/SD Card )11.
Pre-Continuous shooting is possible from 20 shots before the shutter button is fully pressed.

Interval Timer

Built in (Shooting interval: 1 sec.–99 hr. 59 min. 59 sec. Number of shots: 01–9999 or [unlimited])

File Type

Still Image Type

RAW 14 bit: RAW and C-RAW (Canon original RAW 3rd edition) and Dual Pixel RAW
JPEG 8 bit: 10 compression options
HEIF 10 bit: 10 compression options
Complies with Exif 3.0012 and Design rule for Camera File system 2.0
Complies with Digital Print Order Format [DPOF] Version 1.1

RAW+JPEG Simultaneous Recording

Yes, any combination of RAW + JPEG or RAW + HEIF possible,

Image Size

RAW/ C-RAW:
3:2 ratio 6960×4640, 1.6x (crop) 4320×2880
JPEG/ HEIF:
3:2 ratio (L, RAW, C-RAW) 6960×4640, (M) 4800×3200, (S1)3472×2320, (S2) 2400×1600
1.6x (crop) (L) 4320×2880, (S2) 2400×1600
4:3 ratio (L) 6160×4640, (M) 4256×3200, (S1) 3072×2320, (S2) 2112×1600
16:9 ratio (L) 6960×3904, (M)4800×2688, (S1)3472×1952, (S2) 2400×1344
1:1 ratio (L) 4640×4640, (M) 3200×3200, (S1) 2320×2320, (S2) 1600×1600

Folders

New folders can be manually created, named and selected
Movie folder structure is adopting the XF-HEVC S / XF-AVC S format

File Numbering

Consecutive numbering
(2) Auto-reset
(3) Manual reset

File Naming

Still:
Preset code Unique 4-digit character string + 4-digit file number
2 User Presets
Movie:
Adopting the XF-HEVC S / XF-AVC S format
Camera index, Reel number, Clip number, Codec type, Shooting start date, Shooting start time, Random ID, User defined 5 characters, Stream number, (Proxy)

EOS Movie

Movie Type

RAW Video: 7K DCI(17:9)/ (Open Gate 3:2)13
MP4 Video: 4K DCI/UHD (17:9/16:9), 2K/Full HD (17:9/16:9)
4K/2K/Full HD: XF-HEVC S/H.265, Audio: Linear PCM / AAC
4K/2K/Full HD: MPEG-4 AVC S/H.264, Audio: Linear PCM / AAC
7K RAW : 12bit CRM Audio: Linear PCM / AAC
4K/FullHD Time-lapse movie mode
Open Gate (3:2 7K RAW, 7K MP4, Proxy FullHD MP4)

Movie Size

RAW (Standard) (17:9) 6960 x 3672 (29.97, 25, 24, 23.98 fps) 14
RAW (Light) (17:9) 6960 x 3672 (59.94, 50, 29.97, 25, 24, 23.98 fps)15
Open Gate RAW (Standard/ Light) (3:2) 6960 x 4640 (29.97, 25, 24, 23.98 fps)16
Open Gate MP4 (3:2) 6912x 4608 (29.97, 25, 24, 23.98 fps) 3 type of intra or Long GOP
4K DCI (17:9) 4096 x 2160 (119.9, 100, 59.94, 50, 29.97, 25, 24, 23.98 fps) 3 type of intra or Long GOP
4K UHD (16:9) 3840 x 2160 (119.9, 100, 59.94, 50, 29.97, 25, 23.98 fps) 3 type of intra or Long GOP
2K DCI (17:9) 2048 x 1080 (179.8, 150, 119.9, 100, 59.94, 50, 29.97, 25, 24, 23.98 fps) Intra frame or Long GOP
Full HD (16:9) 1920 x 1080 (179.8, 150, 119.9, 100, 59.94, 50, 29.97, 25, 23.98 fps) Intra frame or Long GOP
HDR movie recording at up to 59.94p in Normal modes of 4K DCI/UHD, 2K DCI/UHD, Full HD
HDR movie recording at up to 29.97p in Fine modes of 4K DCI/UHD, 2K DCI/UHD, Full HD

Colour Sampling (Internal Recording)

XF-HEVC S YCC422 10 bit17 H.265 / HEVC YCbCr 4:2:2 10 bits MP4
XF-HEVC S YCC420 10 bit H.265 / HEVC YCbCr 4:2:0 10 bits MP4
XF-AVC S YCC422 10bit18 H.264 / MPEG-4 AVC YCbCr 4:2:2 10 bits MP4
XF-AVC S YCC420 8 bit H.264 / MPEG-4 AVC YCbCr 4:2:0 8 bits MP4

Canon Log

Custom Picture:
C1: Canon 709
C2: Canon Log 2
C3: Canon Log 3
C4: PQ
C5: HLG
C6: BT.709 Standard
C7 – C20: User Defined
Picture Styles: Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined (x3)

Movie Length

Max. duration 6 hours for less than 100.0 fps movies. (100.0 fps or more max. duration 2 hours.).19 No 4 GB file limit with exFAT formatted SD cards. Maximum file size is unlimited using Cfexpress cards.

High Frame Rate Movie

4K – DCI 4096×2160 / UHD 3840×2160 at 119.9 / 100 fps – XF-HEVC 10 bit / XF-AVC 10 / 8 bit
2K / Full HD – 2048×2160 / 1920×1080 at 179.8 / 150 / 119.9 / 100 fps- XF-HEVC 10 bit / XF-AVC 10 / 8 bit20
Slow & Fast Motion Movie (S&F) mode – 180fps – 1fps playback speed

Frame Grab

8.8-megapixel JPEG still image frame grab from 4K DCI movie possible21
8.3-megapixel JPEG still image frame grab from 4K UHD movie possible22
(HEIF only possible when HDR PQ is set)

Bitrate / Mbps

Note: Mainly PAL frame rates listed here, including some NTSC frame rates.23

CRM:

7K RAW Standard (29.97p): Approx. 2600 Mbps

7K RAW Standard (25.00p): Approx. 2240 Mbps

7K RAW Standard (24.00p/23.98p): Approx. 2150 Mbps

7K RAW Light (59.94p): Approx. 2410 Mbps

7K RAW Light (50.00p): Approx. 2010 Mbps

7K RAW Light (29.97p): Approx. 1210 Mbps

7K RAW Light (25p): Approx. 1010 Mbps

7K RAW Light (24.00p/23.98p): Approx. 970 Mbps

MP4 4K DCI fine/UHD Fine (oversampled):

XF-HEVC S YCC422 10bit

Standard LGOP(59.94p/50.00p): Approx. 225 Mbps

Standard LGOP(29.97p/25.00p/24.00p/23.98p): Approx. 135 Mbps

XF-HEVC S YCC420 10bit 

Standard LGOP(59.94p/50.00p): Approx. 150 Mbps

Standard LGOP(29.97p/25.00p/24.00p/23.98p): Approx. 100 Mbps

XF-AVC S YCC422 10bit 

High Quality Intra (59.94p/50.00p): Approx. 1200 / 1000 Mbps

High Quality Intra (29.97p/25.00p/24.00p/23.98p): Approx. 600-480 Mbps

Standard Intra  (59.94p/50.00p): Approx. 900 / 750 Mbps

Standard Intra (29.97p/25.00p/24.00p/23.98p): Approx. 450-360 Mbps

Light Intra (59.94p/50.00p): Approx. 600 / 500 Mbps

Light Intra (29.97p/25.00p/24.00p/23.98p): Approx.300-240 Mbps

Standard Intra (59.94p/50.00p): Approx. 250 Mbps

Standard LGOP 29.97p/25.00p/24.00p/23.98p: Approx. 150 Mbps

MP4 4K DCI/UHD Normal (Not oversampled):

XF-HEVC S YCC422 10bit

Standard LGOP(119.9p/100.00p): Approx. 450 Mbps

Standard LGOP(59.94p/50.00p): Approx. 225 Mbps

Standard LGOP(29.97p/25.00p/24.00p/23.98p): Approx. 135 Mbps

XF-HEVC S YCC420 10bit / XF-AVC SYCC420 8 bit

Standard LGOP(119.9p/100.00p): Approx. 300 Mbps      

Standard LGOP(59.94p/50.00p): Approx. 150 Mbps

Standard LGOP(29.97p/25.00p/24.00p/23.98p): Approx. 100 Mbps

XF-AVC S YCC422 10bit 

High Quality Intra (59.94p/50.00p): Approx. 1200 / 1000 Mbps

High Quality Intra (29.97p/25.00p/24.00p/23.98p): Approx. 600-480 Mbps

Standard Intra  (119.9p/100.00p): Approx. 1800 / 1500 Mbps

Standard Intra  (59.94p/50.00p): Approx. 900 / 750 Mbps

Standard Intra (29.97p/25.00p/24.00p/23.98p): Approx. 450-360 Mbps

Light Intra  (119.9p/100.00p): Approx. 1200 / 1000 Mbps

Light Intra (59.94p/50.00p): Approx. 600 / 500 Mbps

Light Intra (29.97p/25.00p/24.00p/23.98p): Approx.300-240 Mbps

Standard Intra  (119.9p /100.00p): Approx. 500 Mbps

Standard Intra (59.94p/50.00p): Approx. 250 Mbps

Standard LGOP 29.97p/25.00p/24.00p/23.98p: Approx. 150 Mbps

MP4 2K DCI / FullHD:

XF-HEVC S YCC422 10bit Standard LGOP

179.8p/150p: Approx. 150 Mbps

119.9p/100p: Approx. 100 Mbps

59.94p/50.00p/29.97p/25.00p/24.00p/23.98p: Approx. 50 Mbps

XF-HEVC S/ XF-AVC S YCC420 10bit / 8bit Standard LGOP

179.8p/150p: Approx. 105 Mbps

119.9p/100p: Approx. 70 Mbps

59.94p/50.00p/29.97p/25.00p/24.00p/23.98p: Approx. 35 Mbps

XF-AVC S YCC422 10bit

Standard Intra 179.8p/150p: Approx. 900 / 750 Mbps

Standard Intra 119.9p/100p: Approx. 600 / 500 Mbps

Standard Intra 59.94p/50.00p: Approx. 300 / 250 Mbps

Standard Intra 25.00p/24.00p/23.98p: Approx. 150-120 Mbps

Standard LGOP  179.8p/ 150p: Approx. 150 Mbps

Standard LGOP 119.9p/100p: Approx. 100 Mbps

Standard LGOP  59.94p/50.00p / 25.00p/24.00p/23.98p: Approx. 50 Mbps

MP4 2K DCI/UHD  (Proxy):

XF-HEVC S / XF-AVC S YCC420 10bit / 8bit

Standard LGOP  59.94p/50.00p/25.00p/24.00p/23.98p: Approx. 16 Mbps

Light LGOP  59.94p/50.00p/25.00p/24.00p/23.98p: Approx. 9 Mbps

Sub Movies 4K DCI ( oversampled )

XF-HEVC S YCC422 10bit

Standard LGOP(59.94p/50.00p): Approx. 225 Mbps

Standard LGOP(29.97p/25.00p/24.00p/23.98p): Approx. 135 Mbps

XF-HEVC S YCC420 10bit 

Standard LGOP(59.94p/50.00p): Approx. 150 Mbps

Standard LGOP(29.97p/25.00p/24.00p/23.98p): Approx. 100 Mbps

XF-AVC S YCC422 10bit 

Light Intra (59.94p /50.00p): Approx. 600 / 500 Mbps

Light Intra (29.97p/25.00p/24.00p/23.98p): Approx.300-240 Mbps

Standard LGOP (59.94p/50.00p): Approx. 250 Mbps

Standard LGOP (29.97p/25.00p/24.00p/23.98p): Approx. 150 Mbps

XF-AVC S YCC420 8bit 

Standard LGOP (59.94p/50.00p): Approx. 150 Mbps

Standard LGOP (29.97p/25.00p/24.00p/23.98p): Approx. 100 Mbps

Dual Card Recording

Yes, record to both cards, relay, Proxy or sub movie

Microphone

Built-in stereo microphone (48 Khz, 24 / 16-bit x 2 channels)
– External microphone via the 3.5 mm stereo mini jack (3-pin) terminal
– Digital external microphone via Multi-Function shoe
4CH audio support (Multi-Function shoe takes priority and can be combined with either the External microphone or the built in microphone)24

HDMI Display

3 different Display during HDMI connection:25
– Output to external monitor only (output of images and shooting information, images are recorded to the card)
– Camera screen and External Monitor output (Simultaneous recording to camera and external recorder, camera screen shows images with shooting information)
– Camera screen and External Monitor output (Simultaneous recording to camera and external recorder, HDMI Display shows images with shooting information)

HDMI Output

7K RAW (Standard) ProRes recording via HDMI26
4K (DCI) 59.94p/50p/29.97p/25p/24p/23.98p,
4K (UHD) 59.94p/50p/29.97p/25p/23.98p,
Full HD 59.94p/60i/59.94i/50p/50i/24p,
480p 59.94p
576p 50p
Uncompressed YCbCr 4:2:2, 10-bit, sound output via HDMI is also possible
HDMI streaming is also possible27, 28

Focusing

Dual Pixel CMOS AF II with Eye/Face Detection and Tracking AF (people, animals and vehicles) , Movie Servo AF, Manual Focus

ISO

Auto: 100-25600, H: up to 102400 (when custom picture is off)
Manual: 100-25600, H: up to 102400 (when custom picture is off)

Other Features

Network Options

Communication functions:
– Via Wi-Fi: FTP, FTPS, EOS Utility, image.canon, Camera Connect, Streaming services, Content Transfer Professional, Camera Control API –
Via Bluetooth: Camera Connect, BR-E1
– Via USB: EOS Utility, Camera Connect, Content Transfer Professional, Video calls/streaming (UVC/UAC) 4k 60p, 4k 30p, Full HD 60p and Full HD 30p
Simultaneous use of communication functions:
– FTP (wireless LAN) + EOS Utility (USB)

Metadata Tag

User copyright information (can be set in camera)
Image rating (0-5 stars)
IPTC data (registered with EOS Utility)
IPTC data (via CTP app)
IPTC IIM (via CTP app)
NewsML-G2 (News Metadata) (via CTP app)
Image transfer with caption (Caption registered with EOS Utility)

Water/Dust Resistance

Yes29

Voice Memo

No

Intelligent Orientation Sensor

Yes

Playback Zoom

1.5x – 10x in 15 steps

Display Formats

Single image
(2) Single image with information (2 levels)
Basic – Shooting information (shutter speed, aperture, ISO and Image quality)
Detailed – Shooting information (shutter speed, aperture, ISO, metering Image, quality and file size), Lens information,
Brightness and RGB histogram, Waveform monitor(movie mode only), White balance, Picture Style, Colour space and noise reduction, Lens optical correction, GPS information, IPTC information
(3) 4 image index
(4) 9 image index
(5) 36 image index
(6) 100 image index
(7) Jump Display (1, 10 or specified no. 1-100 images, start of burst sequence Date, Folder, Movies, Stills, Protected images, Rating)
(8) Movie edit
(9) RAW processing
(10) Rating

SlideShow

Image selection: All images, by Date, by Folder, Movies, Stills, Protected images or Rating
Playback time: 1/2/3/5/10 or 20 seconds
Repeat: On/Off

Histogram

Brightness: Yes RGB: Yes False cour for video Yes

Highlight Alert

Yes , Waveform for video : Yes

Image Erase

Select and erase images / Select range / All images in folder / All images on card / All found images (only during image search)

Image Erase Protection

Erase protection of Select images / Select range / All images in folder / Unprotect all images in folder / All images on card / Unprotect all images on card / All found images / Unprotect all found images (only during image search)

Self Timer

2 or 10 sec. Continous.

Menu Categories

Shooting menu
(2) AF Menu
(3) Playback menu
(4) Communication Function (Network)
(5) Function settings (Setup menu)
(6) Customize controls
(7) Custom Functions menu
(8) My Menu

Menu Languages

29 Languages English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean, Malay, Indonesia and Japanese

Firmware Update

Update possible by the user using Camera Connect app or EOS Utility (Camera, Lens, External Speedlite, BLE remote control, Lens adapter, Power zoom adapter, multi-function shoe compatible accessories)

Interface

Computer

SuperSpeed Plus USB 3.2 Gen 2 USB Type-C® connector

Wi-Fi

Wireless LAN (IEEE 802.11ac) (5 GHz / 2.4 GHz)30, with Bluetooth 5.1 support

Other

HDMI Full size (Type A), External Microphone In (Stereo mini jack), Headphone socket (Stereo mini jack), E3-type terminal (remote control terminal), Multi-Function shoe

Direct Print

PictBridge

Not supported

Storage

Type

1x CFexpress type B maximum capacity 8TB (compatible with CFexpress 2.0 and VPG400)
1x SD/SDHC/SDXC and UHS-II

Supported Operating System

PC

Windows 11

Macintosh

macOS 15, macOS 14, macOS 13

Software

Image Processing

Digital Photo Professional Ver. 4.21.10 or later
Digital Photo Professional Express mobile app Ver. 1.12.10 or later.”

Other

EOS Utility Ver. 3.20.10 or later, Picture Style Editor Ver. 1.32.10 or later, EOS Lens Registration Tool, EOS Web Service Registration Tool, Canon Camera Connect app Ver. 3.5.11 or later (iOS/Android), Content Transfer Professional app (iOS/Android).

Power Source

Batteries

Rechargeable Li-ion Battery LP-E6P (supplied)31

Battery Life

With LCD Approx. 620 shots (at 23°C)32
With Viewfinder Approx. 390 shots (at 23°C)33

Battery Indicator

6 levels

Power Saving

Screen dimmer: 5 sec. / 10 sec. / 15 sec. / 20 sec. / 25 sec. / 30 sec. / Disable
– Screen off: 5 sec. / 15 sec. / 30 sec. / 1 min. / 3 min. / 5 min. / 10 min. / 30 min. / Disable
– Auto power off: 15 sec. / 30 sec. / 1 min. / 3 min. / 5 min. / 10 min. / 30 min. / Disable
– Viewfinder off: 1 min. / 3 min. / Disable

Power Supply & Battery Chargers

Battery charger LC-E6E (supplied), Car Battery Charger CBC-E6, CD Coupler DR-E6P34, PD-E2 USB power adapter, PD-E1 USB power adapter

Accessories

Lenses

All RF and RF-S lenses (EF & EF-S via Lens adapters)

Lens Adapters

EF TO EOS R ADAPTER, EF TO EOS R ADAPTER WITH CONTROL RING, EF TO EOS R Drop in filter ADAPTER

Flash

Canon Speedlites (EL-1, EL-5, EL-100, 90EX, 220EX, 270EX, 270EX II, 320EX, 380EX, 420EX, 430EX, 430EX II, 430EX III 470EX-AI, 550EX, 580EX, 580EX II, 600EX, 600EX-RT, 600EX-II-RT, Macro-Ring-Lite MR-14EX, Macro Ring Lite MR-14EX II, Macro Twin Lite MT-24EX, Macro Twin Lite MT-26EX Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT , Speedlite Transmitter ST-E3-RT V2, Speedlite Transmitter ST- E10)35, Off-Camera Shoe Cord OC-E4A / OC-E3

Battery Grip

BG-R20 battery grip, BG-R20EP battery grip, BG-R10 battery grip36

Remote Controller / Switch

Remote Switch RS-80E3, Remote Switch RS-60E3, Remote control with E3 type socket and BR-E1 Bluetooth remote

Other

GP-E2 GPS receiver37 (digital compass not supported), Multi-Function Shoe Adapter AD- E1, Multi-Function Shoe Directional Stereo Microphone DM-E1D (Mic), Multi-Function Shoe Adapter for Smartphone Link AD-P1 for Android, Stereo Microphone DM-E1 / DM-E100, Protecting Cloth PC-E1, Hand Strap E2, Shoe cover ER-SC2, Shoe cover ER-SC3, Tripod Grip HG-100TBR38, Interface Cable IFC-100U, Interface Cable IFC-400U

Physical Specifications

Body Materials

Magnesium Alloy body and Chassis with some components consisting of polycarbonate with glass fibre

Operating Environment

0 – 40 °C, 85% or less humidity

Dimensions (W x H x D)

Approx. 138.4×98.4×88.4 mm

Weight (Body Only)

Approx. 609 g (699g with card and battery)

Tujuan Pengiriman

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