Safe Payment

Pay with the world’s most popular and secure payment methods

Support 24/7

Round-the-clock assistance for a smooth shopping experience.

Fast Shipping

Shipping within 24 hours after order completed.

SKU: CFJ38168 Category:
34 orders in the last 30 days.

Availability: Out of stock

Rp84.999.000Rp124.998.000


Pilih Salah Satu :

* FREE LENS ADAPTER EF-GFX PRO FOR CANON

* FREE LENS ADAPTER SR-NK-GFX-01 FOR NIKON

Periode 1-30 juni 2025


Share it:

FUJIFILM GFX 100S II Medium Format Mirrorless Camera Body Only

 

MORE THAN FULL FRAME

New beginnings don’t start with taking new steps, they start with moving in
new directions. And every new GFX System camera has taken a
direction that has redefined what it means to be More Than Full Frame.

From its unparalleled image quality, to its overall mobility,
the boundaries of large format imaging have continually been
reimagined with every new iteration.

GFX100 II continues this tradition by bringing unprecedented high-speed
performance, expanded video capabilities, and lightning fast autofocus to
a growing list of accolades that professionals
everywhere have come to rely on from GFX System cameras.

If it’s time to find some direction,
discover one to new opportunities with GFX100 II.

 

GFX100 II brings a new 102-megapixel sensor “GFX 102MP CMOS II HS” with a readout speed that is about two times faster than GFX100S.Combined with X-Processor 5, GFX100 II is able to achieve a high continuous frame rate of up to 8fps, surgically accurate AF, and advanced video features that have never before existed in any previous GFX System or X Series camera.

 

Subject Detection AF

X-Processor 5 features subject detection AF, which delivers an autofocus performance previously unseen on a large format camera. Built using deep-learning AI technology, its advanced AF tracking and detection not only works on human faces and eyes, but also animals, birds, cars, motorcycles, bicycles, airplanes, and trains. With such power on tap, photographers can concentrate on creativity, confident GFX100 II will produce an autofocus performance to match.

*Set “SUBJECT DETECTION SETTING” to “BIRD” when you want to detect insects and to “AIRPLANE” when you want to detect drones.

Updated AF algorithm

GFX100 II uses an updated AF prediction algorithm to deliver reliable performance in sports and other situations where accurate, high-speed motion tracking is needed.

 

8fps High-Speed Burst

GFX100 II makes large format photography possible in previously inaccessible areas. A continuous frame rate of up to 8fps with the mechanical shutter freezes the peak of any sporting action.

*When mechanical shutter is selected

120fps Display Frame Rate in Boost Mode

Activating Boost mode on GFX100 II supercharges the display frame rate to approximately 120 frames-per-second – more than enough to keep up with fast-moving subjects.

Shortened Intervals and Decreased Viewfinder Blackout

Increased buffer memory minimizes any delay between frames and decreases viewfinder blackout times for seamless high-speed operation.

 

5.3fps Blackout-Free Burst Operation

GFX100 II offers a blackout-free 5.3fps burst with for an uninterrupted view of ultra-fast subjects.* In 35mm format mode, GFX100 II offers blackout-free 8.7fps and 5.8fps burst as well.

*When setting to electronic shutter

AF-C Custom Setting

Number of Focus Points

Zone Custom Setting

The Ultimate in Image Quality




GFX100 II continues to set new standards for image quality, alongside its oustanding speed and video credentials. Prepare to experience higher-quality stills, the likes of which you’ve never witnessed before.

 

ISO 80 Standard Sensitivity

By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80. Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.

 

Improved Quality in Every Corner

 

HEIF Image Format Support

GFX100 II supports the HEIF format, a 10-bit image file with over a billion colors. It delivers higher image quality, but uses up to 30% less space than a JPEG.

 

Pixel Shift Multi-Shot

For the ultimate quality, GFX100 II can produce an ultra-high-resolution 400-megapixel image with a single press of the shutter release. Using in-body image stabilization to precisely shift the sensor by a half pixel between each frame, GFX100 II makes 20 frames in which every red, green, and blue pixel has the same information. The result is a detail-rich file with almost no false colors visible.

 

New film simulation REALA ACE

Enjoy the latest iteration of Fujifilm’s renowned color science – REALA ACE. Brand new for GFX100 II, this 20th Film Simulation combines faithful color reproduction with hard tonality, making it suitable for all subjects and situations.

 

Power and Precision for Video

 

4K/60p, 8K/30p, FHD/120p

4:2:2 10-bit Internal Recording

Proving itself as a hybrid powerhouse, GFX100 II offers 4K/60p and 8K/30p 4:2:2 10-bit in-camera recording. ISO 100 can also now be used as the standard movie sensitivity for the highest quality footage.

 

GF Format

 

Support for Multiple Cine Recording Formats

In addition to GFX large format, GFX100 II supports various cine recording formats, including Premista, 35mm, and anamorphic (35mm). With a basic GF to PL adapter, cinematographers anywhere can use GFX100 II’s massive imaging sensor with some of the world’s most legendary cinema optics, including Fujinon’s collection of Premista and Cabrio Zoom Lenses. For storytellers with wider aspirations, there are also two different high resolution 35mm FF Anamorphic recording modes that provide various de-squeeze monitoring options in-camera

 

Improved Subject Tracking
Tracking subjects just got easier. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. GFX100 II will then track the object, even in situations with multiple subjects.

 

F-Log2 Support

GFX100 II is the first GFX System camera to feature F-Log2, broadening post-production flexibility. The wider dynamic range of 14+ stops* breathes more life into footage, maximizing detail in shadows, highlights and midtones.

*When setting to F-Log2 D Range Priority

Compatible with Frame.io Camera to Cloud

Embrace cloud first workflows and open lines of collaboration with GFX100 II’s World First, no accessary needed integration for Frame.io Camera to Cloud and deliver photos or video straight to the cloud the moment after they are created. Utilize the built-in Wi-Fi or Ethernet LAN connection options to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 4k ProRes Video securely to any project for immediate review and consideration.

 

New MF assist Focus MAP

For added precision while using manual focus, a new Focus MAP has been added as a MF assist function.

 

RAW output via HDMI

Combined with a compatible ATOMOS HDMI device, RAW video output from GFX100 II can be recorded as 12-bit Apple ProRes RAW at resolutions up to 8K and frame rates up to 29.97fps. With Blackmagic Design Video Assist 12G HDRs, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 8K and frame rates up to 29.97fps.

*Please contact ATOMOS or Blackmagic Design for the firmware release date of the compatible recorder.

FAN-001 Cooling Fan

Extends continuous video recording times with this optional accessory. The fan does not require any additional cables for power and allows GFX100 II to keep recording, even in high-temperature environments.

 

Recording to External SSD via USB

Connecting an external SSD via a USB Type-C cable lets you record photos and videos directly to an external SSD in all modes and formats, including 4K/60p and 8K/30p. *
*Depending on the type of SSD, there are some modes and formats that cannot be recorded. Please check the compatibility list for SSD.

 

*AirGlu™ is a trademark and a registered trademark of ATOMOS.Please contact ATOMOS for the firmware release date of the compatible device.

Frame With Confidence

 

9.44 Million Dot 1.0x EVF

GFX100 II’s EVF offers 9.44 million dots and a 1.0x magnification for an optimal viewing experience. Furthermore, it suppresses image drift and distortion caused by misalignment of the pupil, for the clearest possible view.

 

Detail in Design

A technological tour de force, wrapped in outstanding ergonomics, GFX100 II combines functional beauty with effortless practicality.

 

New Leather Pattern BISHAMON-TEX™

Swathed in BISHAMON-TEX leather, the body of GFX100 II is covered with a traditional Japanese-inspired imprint that improves grip in all directions.

 

Enhanced Top-Plate

A more prominent top-plate sub-LCD on GFX100 II with a redesigned GUI for improved visibility enhances overall handling. Furthermore, the top-plate is tilted by 11°, allowing users to view information with minimal eye movement.

 

Three Fn Buttons

Three programmable Fn buttons on the top of the grip provide greater flexibility, allowing users to make changes on the fly, so opportunities are never missed.

 

 

 

Resource:   https://fujifilm-x.com

Specification

  • Brand

    FujiFilm
  • Specifications

     

    MODEL NAME

    FUJIFILM GFX100 II

     

     

    LENS MOUNT

    FUJIFILM G mount

     

     

    IMAGE SENSOR

    43.8mm×32.9mm GFX 102MP CMOS II HS with primary color filter

     

     

    NUMBER OF EFFECTIVE PIXELS

    102 million pixels

     

     

    SENSOR CLEANING SYSTEM

    Ultra Sonic Vibration

     

     

    IMAGE PROCESSING ENGINE

    X-Processor 5

     

     

    SENSOR CLEANING SYSTEM

    Ultra Sonic Vibration

     

     

    STORAGE MEDIA

    • SD Card (-2GB)
    • SDHC Card (-32GB)
    • SDXC Card (-2TB)
    • UHS-I
    • UHS-II
    • Video Speed Class V90
    • CFexpress Type B Card (-2TB)
    • SSD (-2TB)

     

     

    FILE FORMAT OF STILL IMAGE

    DCF

    Compliant with Design rule for Camera File system (DCF2.0)

     

     

    JPEG

    Exif Ver.2.32

     

     

    HEIF

    4:2:2 10bit

     

     

    RAW

    14bit / 16bit RAW (RAF original format)

     

     

    TIFF

    8bit / 16bit RGB (In-camera Raw Conversion Only)

     

     

    NOTES

    *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing

     

     

    NUMBER OF RECORDED PIXELS

    [L]

    • 43: 11648 x 8736
    • 32: 11648 x 7768
    • 169: 11648 x 6552
    • 11: 8736 x 8736
    • 6524: 11648 x 4304
    • 54: 10928 x 8736
    • 76: 10192 x 8736

     

    [M]

    • 43: 8256 x 6192
    • 32: 8256 x 5504
    • 169: 8256 x 4640
    • 11: 6192 x 6192
    • 6524: 8256 x 3048
    • 54: 7744 x 6192
    • 76: 7232 x 6192

     

     

    [S]

    • 43: 4000 x 3000
    • 32: 4000 x 2664
    • 169: 4000 x 2248
    • 11: 2992 x 2992
    • 6524: 4000 x 1480
    • 54: 3744 x 3000
    • 76: 3504 x 3000

     

     

    SENSITIVITY

     

    STILL IMAGE

    • Standard Output
      • AUTO1
      • AUTO2
      • AUTO3
      • ISO80~12800 (1/3 step)

     

    • Extended Output
      • ISO40
      • ISO25600
      • ISO51200
      • ISO102400

     

     

    MOVIE

    • Standard Output
    • AUTO
    • ISO100~12800 (1/3 step)
    • Extended Output
    • ISO25600

     

     

    EXPOSURE CONTROL

    • TTL 256-zone metering
    • Multi
    • Spot
    • Average
    • Center Weighted

     

     

    EXPOSURE MODE

    • P (Program AE)
    • A (Aperture Priority AE)
    • S (Shutter Speed Priority AE)
    • M (Manual Exposure)

     

     

    EXPOSURE COMPENSATION

    STILL

    -5.0EV~+5.0EV 1/3EV step

     

     

    MOVIE

    -2.0EV~+2.0EV 1/3EV step

     

     

    IMAGE STABILIZER

    MECHANISM

    Image sensor shift mechanism with 5-axis compensation

     

     

    COMPENSATION EFFECT

    8.0 stops

     

     

    DIGITAL IMAGE STABILIZATION

    Yes (movie mode only)

     

     

    IS MODE BOOST

    Yes (movie mode only)

     

     

    SHUTTER TYPE

    Focal Plane Shutter

     

     

    SHUTTER SPEED

    MECHANICAL SHUTTER

    • P mode
      • 30sec. to 1/4000sec.

     

     

    • A mode
      • 30sec. to 1/4000sec.

     

    • S/M mode
      • 60min. to 1/4000sec.

     

    • Bulb
      • up to 60min.

     

     

    ELECTRONIC SHUTTER

    P mode

    30sec. to 1/32000sec.

     

     

    A mode

    30sec. to 1/32000sec.

     

     

    S/M mode

    60min. to 1/32000sec.

     

     

    Bulb

    up to 60min.

     

     

    Notes

    *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.

     

     

    MECHANICAL + ELECTRONIC SHUTTER

    P mode

    30sec. to 1/32000sec.

     

     

    A mode

    30sec. to 1/32000sec.

     

     

    S/M mode

    60min. to 1/32000sec.

     

     

    Bulb

    up to 60min.

     

     

    Notes

    *Mechanical shutter works until 1/4000sec.
    *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.

     

     

    E-FRONT + MECHANICAL SHUTTER

    P mode

    30sec. to 1/4000sec.

     

     

    E-FRONT + MECHANICAL + ELECTRONIC SHUTTER

    P mode

    30sec. to 1/32000sec.

     

     

    MOVIE

    8K/DCI8K

    1/4000sec. to 1/24 sec.

     

     

    5.8K

    1/4000sec. to 1/24 sec.

     

     

    5.4K

    1/4000sec. to 1/24 sec.

     

     

    4.8K

    1/4000sec. to 1/24 sec.

     

     

    4.6K(ANAMOR)

    1/4000sec. to 1/24 sec.

     

     

    4K/DCI4K

    1/4000sec. to 1/8 sec.

     

     

    FHD

    1/4000sec. to 1/8 sec.

     

     

    Notes

    *Cannot choose slower shutter speed than framerate for some settings.

     

     

    SYNCHRONIZED SHUTTER SPEED FOR FLASH

    Mechanical shutter

    1/125sec. or slower

     

     

    CONTINUOUS SHOOTING

    CH

    • Electronic Shutter Approx. 8.7fps (35mm Format Mode ON)
    • JPEG
    • 1000+ frames
    • Compressed RAW
    • 1000+ frames
    • Lossless compressed RAW
    • 1000+ frames
    • Uncompressed RAW
    • 260 frames
    • Compressed RAW + JPEG
    • 156 frames
    • Lossless compressed RAW + JPEG
    • 148 frames
    • Uncompressed RAW + JPEG
    • 71 frames

     

     

    Electronic Shutter Approx. 5.8fps (35mm Format Mode ON)

    • JPEG
    • 1000+ frames
    • Compressed RAW
    • 1000+ frames
    • Lossless compressed RAW
    • 1000+ frames
    • Uncompressed RAW
    • 1000+ frames
    • Compressed RAW + JPEG
    • 1000+ frames
    • Lossless compressed RAW + JPEG
    • 1000+ frames
    • Uncompressed RAW + JPEG
    • 1000+ frames

     

     

    Electronic Shutter Approx. 5.3fps

    • JPEG
    • 1000+ frames
    • Compressed RAW
    • 1000+ frames
    • Lossless compressed RAW
    • 1000+ frames
    • Uncompressed RAW
    • 390 frames
    • Compressed RAW + JPEG
    • 119 frames
    • Lossless compressed RAW + JPEG
    • 119 frames
    • Uncompressed RAW + JPEG
    • 98 frames

     

    Mechanical Shutter Approx. 8.0fps

    • JPEG
    • 1000+ frames
    • Compressed RAW
    • 325 frames
    • Lossless compressed RAW
    • 302 frames
    • Uncompressed RAW
    • 76 frames
    • Compressed RAW + JPEG
    • 75 frames
    • Lossless compressed RAW + JPEG
    • 75 frames
    • Uncompressed RAW + JPEG
    • 55 frames

     

    Mechanical Shutter Approx. 5.0fps

    • JPEG
    • 1000+ frames
    • Compressed RAW
    • 1000+ frames
    • Lossless compressed RAW
    • 1000+ frames
    • Uncompressed RAW
    • 497 frames
    • Compressed RAW + JPEG
    • 153 frames
    • Lossless compressed RAW + JPEG
    • 152 frames
    • Uncompressed RAW + JPEG
    • 116 frames

     

    CL

    MECHANICAL SHUTTER APPROX. 2.0FPS

    • JPEG
    • 1000+ frames
    • Compressed RAW
    • 1000+ frames
    • Lossless compressed RAW
    • 1000+ frames
    • Uncompressed RAW
    • 1000+ frames
    • Compressed RAW + JPEG
    • 1000+ frames
    • Lossless compressed RAW + JPEG
    • 1000+ frames
    • Uncompressed RAW + JPEG
    • 1000+ frames

     

    Notes

    • *Electronic Front Curtain Shutter support CL only.
    • *No. of recordable frames are calculated based on CFexpress Type B card in a cold start
    • *Recordable frames depends on recording media
    • *Speed of continuous shooting depends on shooting environment and shooting frames

     

    DRIVE MODE

    AE BRACKETING

    • 2 frames
    • 3 frames
    • 5 frames
    • 7 frames
    • 9 frames

     

    FILMSIMULATION BRACKETING

    Any 3 types of film simulation selectable

     

     

    DYNAMIC RANGE BRACKETING

    • 100%
    • 200%
    • 400%

     

    ISO SENSITIVITY BRACKETING

    • ±1/3EV
    • ±2/3EV
    • ±1EV

     

     

    WHITE BALANCE BRACKETING

    • ±1
    • ±2
    • ±3

     

     

    FOCUS BRACKETING

    • AUTO
    • MANUAL

     

     

    MULTIPLE EXPOSURE

    • Yes (Max. 9 frames)
    • Additive
    • Average
    • Bright
    • Dark

     

     

    PIXEL SHIFT MULTI SHOT

    HIGH RESOLUTION + ACCURATE COLOR

     

     

    FOCUS

    MODE

    • Single AF
    • Continuous AF
    • MF

     

     

    TYPE

    Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)

     

     

    AF FRAME SELECTION

    Single point AF

    13×9 / 25×17 (Changeable size of AF frame)

     

     

    Zone AF

    3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid

     

     

    All

    Yes

     

     

    SUBJECT DETECTION

    Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)

     

     

    FLASH

    SHOE MOUNT FLASH

    • Sync. Mode
    • 1st Curtain
    • 2nd Curtain
    • AUTO FP (HSS)
    • Flash Mode
    • TTL (TTL AUTO / STANDARD / SLOW SYNC. )
    • MANUAL
    • MULTI *When EF-X500 is set
    • OFF

     

    SYNCHRONIZED TERMINAL

    • Sync. Mode
    • 1st Curtain
      2nd Curtain
    • Flash Mode
    • MANUAL

     

    HOT SHOE

    Yes (Dedicated TTL Flash compatible)

     

     

    VIEWFINDER

    EVF

    EVF

    0.64 inch OLED Color Viewfinder
    Approx. 9.44 million dots

     

     

    Coverage of Viewing Area vs. Capturing Area

    Approx. 100%

     

     

    Eyepoint

    Approx. 21mm (from the Rear End of the Camera’s Eyepiece)

     

     

    Diopter Adjustment

    -5~+2m-1

     

     

    Magnification

    1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1

     

     

    Diagonal Angle of View

    approx. 47° (Horizontal angle of view: approx. 38° ) Built-In Eye Sensor

     

     

    LCD MONITOR

    3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor

     

     

    ASPECT RATIO

    4:3

     

     

    DOTS

    Approx. 2.36 million dots

     

     

    TOUCH SCREEN MODE

    SHOOTING MODE

    • AF
    • Focus Area
    • OFF
    • Double Tap Setting (ON/OFF)
    • Touch Function Setting (ON/OFF)
    • EVF Touch Screen Area Setting

     

    PLAYBACK MODE

    • Swipe
    • Pinch-in / Pinch-out
    • Double-tap
    • Drag

     

    SUB LCD MONITOR

    2.09 inch Monochrome LCD Monitor

     

     

    ASPECT RATIO

    4:3

     

     

    DOTS

    320×219-dot

     

     

    MOVIE RECORDING

    FILE FORMAT

    • MOV
      • Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
      • Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
      • Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
      • HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
      • MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)

     

    • MP4
      • MPEG-4 AVC/H.264, AAC

     

    • MOVIE COMPRESSION
      • All Intra

     

    • 8K(17:9)
      • File size
        • 8192 x 4320

     

    • Frame rate
      • 24p
      • 23.98p

     

    • Bitrate
      • 720Mbps
      • 360Mbps
      • 200Mbps
      • 100Mbps
      • 50Mbps

     

    • 8K(16:9)
      • File size
        • 7680 x 4320

     

    • Frame rate
      • 29.97p
      • 25p
      • 24p
      • 23.98p

     

    • Bitrate
      • 720Mbps
      • 360Mbps
      • 200Mbps
      • 100Mbps
      • 50Mbps

     

    • 8K(2.76:1)
      • File size
        • 8192 x 2968

     

    • Frame rate
      • 24p
      • 23.98p

     

    • Bitrate
      • 720Mbps
      • 360Mbps
      • 200Mbps
      • 100Mbps
      • 50Mbps

     

    • 5.8K(2.35:1)
      • File size
        • 5824 x 2476

     

    • Frame rate
      • 29.97p
      • 25p
      • 24p
      • 23.98p

     

    • Bitrate
      • 720Mbps
      • 360Mbps
      • 200Mbps
      • 100Mbps
      • 50Mbps

     

    • 5.4K(17:9)
      • File size
        • 5440 x 2868

     

    • Frame rate
      • 29.97p
      • 25p
      • 24p
      • 23.98p

     

    • Bitrate
      • 720Mbps
      • 360Mbps
      • 200Mbps
      • 100Mbps
      • 50Mbps

     

    • 4.8K(3:2)
      • File size
        • 4776 x 3184

     

    • Frame rate
      • 24p
      • 23.98p

     

    • Bitrate
      • 720Mbps
      • 360Mbps
      • 200Mbps
      • 100Mbps
      • 50Mbps

     

    • 4.8K(16:9)
      • File size
        • 4776 x 2688

     

    • Frame rate
      • 29.97p
      • 25p
      • 24p
      • 23.98p

     

    • Bitrate
      • 720Mbps
      • 360Mbps
      • 200Mbps
      • 100Mbps
      • 50Mbps

     

    • 4.6K(1.38:1)
      • File size
        • 4664 x 3380

     

    • Frame rate
      • 24p
      • 23.98p

     

     

    • Bitrate
      • 720Mbps
      • 360Mbps
      • 200Mbps
      • 100Mbps
      • 50Mbps

     

    • DCI4K(17:9)
      • File size
        • 4096 x 2160

     

     

    • Frame rate
      • 59.94p
      • 50p
      • 29.97p
      • 25p
      • 24p
      • 23.98p

     

     

    • Bitrate
      • 720Mbps
      • 360Mbps
      • 200Mbps
      • 100Mbps
      • 50Mbps

     

     

    • 4K(16:9)
      • File size
        • 3840 x 2160

     

     

    • Frame rate
      • 59.94p
      • 50p
      • 29.97p
      • 25p
      • 24p
      • 23.98p

     

    • Bitrate
      • 720Mbps
      • 360Mbps
      • 200Mbps
      • 100Mbps
      • 50Mbps

     

     

    • FULL HD(17:9)
      • File size
        • 2048 x 1080

     

     

    • Frame rate
      • 59.94p
      • 50p
      • 29.97p
      • 25p
      • 24p
      • 23.98p

     

     

    • Bitrate
      • 720Mbps
      • 360Mbps
      • 200Mbps
      • 100Mbps
      • 50Mbps

     

     

    • FULL HD(16:9)
      • File size
        • 1920 x 1080

     

     

    • Frame rate
      • 59.94p
      • 50p
      • 29.97p
      • 25p
      • 24p
      • 23.98p

     

     

    • Bitrate
      • 720Mbps
      • 360Mbps
      • 200Mbps
      • 100Mbps
      • 50Mbps

     

     

    FULL HD(17:9) HIGH SPEED REC.

    File size

    2048 x 1080

     

     

    Frame rate

    • 120p
    • 100p

     

    Bitrate

    • 720Mbps (recording)
    • 360Mbps (recording)
    • 200Mbps (recording)

     

     

    FULL HD(16:9) HIGH SPEED REC.

    File size

    1920 x 1080

     

     

    Frame rate

    • 120p
    • 100p

     

    Bitrate

    • 720Mbps (recording)
    • 360Mbps (recording)
    • 200Mbps (recording)

     

     

    FILM SIMULATION MODE

    • 20 modes
    • PROVIA/Standard
    • Velvia/Vivid
    • ASTIA/Soft
    • Classic Chrome
    • REALA ACE
    • PRO Neg.Hi
    • PRO Neg.Std
    • Classic Neg.
    • Nostalgic Neg.
    • ETERNA/Cinema
    • ETERNA BLEACH BYPASS
    • ACROS
    • ACROS + Ye Filter
    • ACROS + R Filter
    • ACROS + G Filter
    • Black & White
    • Black & White + Ye Filter
    • Black & White + R Filter
    • Black & White + G Filter
    • Sepia

     

     

    MONOCHROMATIC COLOR

    Yes

     

     

    GRAIN EFFECT

    ROUGHNESS

    STRONG, WEAK, OFF

     

     

    SIZE

    LARGE, SMALL

     

     

    COLOR CHROME EFFECT

    STRONG, WEAK, OFF

     

     

    COLOR CHROME BLUE

    STRONG, WEAK, OFF

     

     

    SMOOTH SKIN EFFECT

    STRONG, WEAK, OFF

     

     

    DYNAMIC RANGE SETTING

    STILL

    • Still
    • AUTO / 100% / 200% / 400%
    • ISO restriction
    • DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more

     

     

    MOVIE

    • Movie
    • 100% / 200% / 400%
    • ISO restriction
    • DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more

     

     

    WHITE BALANCE

    AUTO

    • White Priority
    • Auto
    • Ambience Priority

     

     

    CUSTOM

    Custom1 – 3

     

     

    COLOR TEMPERATURE SELECTION

    2500K~10000K

     

     

    PRESET

    • Daylight
    • Shade
    • Fluorescent Light-1
    • Fluorescent Light-2
    • Fluorescent Light-3
    • Incandescent Light
    • Underwater

     

     

    CLARITY SETTING

    ±5 steps

     

     

    SELF-TIMER

    STILL

    • 10sec.
    • 2sec.

     

     

    MOVIE

    • 10sec.
    • 5sec.
    • 3sec.

     

     

    INTERVAL TIMER SHOOTING

    Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)

     

     

    WIRELESS TRANSMITTER

    STANDARD

    IEEE802.11a/b/g/n/ac (standard wireless protocol)

     

     

    ENCRYPTION

    WPA/WPA2 mixed mode, WPA3

     

     

    ACCESS MODE

    Infrastructure

     

     

    BLUETOOTH®

    STANDARTD

    Bluetooth Ver. 4.2 (Bluetooth low energy)

     

     

    OPERATING FREQUENCY (CENTER FREQUENCY)

    2402〜2480MHz

     

     

    TERMINAL

    DIGITAL INTERFACE

    USB Type-C (USB3.2 Gen2x1)

     

     

    HDMI OUTPUT

    HDMI connector (Type A)

     

     

    LAN TERMINAL

    1000BASE-T、100BASE-TX、10BASE-T

     

     

    OTHERS

    • ø3.5mm, stereo mini connector (Microphone)
    • ø3.5mm, stereo mini connector (Headphone)
    • Hot shoe
    • Synchronized terninal

     

     

    POWER SUPPLY

    NP-W235 Li-ion battery (included)

     

     

    BATTERY LIFE FOR STILL IMAGES

    • Normal Mode
    • Approx. 540 frames
    • Notes
    • *Auto power save ON
      *When GF63mmF2.8 R WR is set

     

     

    ACTUAL BATTERY LIFE OF MOVIE CAPTURE

    8K

    Approx. 60min. (29.97p)

     

     

    4K

    Approx. 60min. (59.94p)

     

     

    Full HD

    Approx. 80min. (59.94p)

     

     

    Notes

    *Face detection is set to OFF

     

     

    CONTINUANCE BATTERY LIFE OF MOVIE CAPTURE

    8K

    Approx. 80min. (29.97p)

     

     

    4K

    Approx. 90min. (59.94p)

     

     

    Full HD

    Approx. 140min. (59.94p)

     

     

    Notes

    *Face detection is set to OFF
    *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.

     

     

    DIMENSIONS

    WIDTH

    152.4mm

     

     

    HEIGHT

    117.4mm

     

     

    DEPTH

    98.6mm

     

     

    (MINIMUM DEPTH)

    46.5mm

     

     

    EXCLUDING EVF

    • Width
    • 152.4mm
    • Height
    • 103.5mm
    • Depth
    • 73.5mm
    • (Minimum Depth)
    • 46.5mm

     

     

    WEIGHT

    INCLUDING BATTERY AND MEMORY CARD

    約948g (including EVF: 1,030g)

     

     

    EXCLUDING BATTERY AND MEMORY CARD

    約867g (including EVF: 949g)

     

     

    OPERATION ENVIRONMENT

    OPERATING TEMPERATURE

    -10℃~+40℃

     

     

    OPERATING HUMIDITY

    10% – 80% (no condensation)

     

     

    ACCESSORIES INCLUDED

    • Interchangeable electronic viewfinder EVF-GFX3
    • Li-ion battery NP-W235
    • AC power adapter AC-5VJ
    • Plug adapter
    • USB cable
    • Shoulder strap
    • Body cap
    • Hot shoe cover
    • Vertical battery grip connector cover
    • Memory card slot cover
    • Sync terminal cover
    • Cooling fan connector cover
    • Cable protector

     

Tujuan Pengiriman