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FUJIFILM X100VI Digital Camera

 

On January 20, 2024, we celebrated our 90th anniversary.

 

To celebrate Fujifilm’s 90th anniversary year in 2024,
“FUJIFILM X100VI Limited Edition” will be released
in a limited number of 1,934 units worldwide.

These Limited Edition, numbered X100VI units are packaged in a special
box that includes a special strap, soft release button and history cards

The camera body is engraved with the corporate brand logo
from Fujifilm’s founding in 1934, along with a unique serial number.

 

X100VI Limited Edition Overview


Engraved serial number

 


Engraved original logo


Engraved original logo


Special strap


Soft release button


Shutter button made of Titanium


Special box


History card

 


History card

 

MAKE EVERY DAY REMARKABLE

Enjoy photography in its purest form with Fujifilm’s X100 Series digital cameras. Using a timeless dial-based design, passed down from model to model, the stunning 6th-generation X100VI offers an indulgent, tactile image-making experience that delivers unforgettable content in every creative moment.

 

PROCESSOR AND SENSOR

CUTTING-EDGE IMAGE QUALITY

HIGH-RESOLUTION 40.2MP BSI IMAGING SENSOR
X-TRANS CMOS 5 HR

X100VI’s high-resolution, 40.2-megapixel X-Trans™ CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising signal-to-noise ratio.

 

TWICE THE PROCESSING SPEED OF X-PROCESSOR 4
X-PROCESSOR 5

  • AI processing technology
  • Next generation HEIF image file format
  • Reduced power consumption

 

40MP CUTTING-EDGE IMAGE QUALITY
The optically precise 23mmF2 lens, borrowed from the X100V, perfectly complements the 40.2-megapixel sensor, delivering edge-to-edge sharpness across the frame.

 

BE READY THE ONE AND ONLY
However you want to create content, the light, portable X100VI will always be ready. Compose using the versatile hybrid viewfinder, flip out the detailed LCD to work at waist level, or preset settings and trust your instincts. Whatever your creative style, this camera ensures no moment is missed.

 

GET THE MOST OUT OF ANY IMAGE ELEGANT DESIGN
A design that inspires and motivates, X100VI’s aluminum top-plate, machined dials and tactile exterior encourage creativity every time you pick it up. Offered in Silver and Black finishes as standard, a limited edition version of X100VI celebrating Fujifilm’s 90th anniversary will also be available.

 

UP TO 6.0 STOPS IBIS2
LIGHT WEIGHT, HIGH PERFORMANCE
When light is low and stakes are high, X100VI’s newly developed in-body image stabilisation (IBIS) system keeps images sharp and videos stable. The five-axis IBIS mechanism offers up to 6.02 stops of compensation, yet maintains the X100 Series’ characteristic compactness and portability.

TOP PLATE DIALS
THE ULTIMATE DESIGN FOR ANALOG OPERATION
Echoing classic film camera design, the dials on the top-plate of X100VI combine essential functionality with creative freedom. View or change camera settings at any time, with shutter speed, aperture, and ISO controls all instantly accessible – just as they were on X100V.

 

FLAT TWO-WAY TILTING LCD
LCD 1.62 MILLION DOTS
Confidently compose and view images using X100VI’s two-way tilting LCD. Featuring 1.62 million dots for colour accuracy and detail, the LCD stores flat against the body to maintain the perfect profile. Framing is now even easier with 45° screen tilt available when holding the camera at high angles.

EVF, OVF, ELECTRONIC RANGE FINDER
ADVANCED HYBRID VIEWFINDER
Frame images your way using X100VI’s hybrid viewfinder. Switch between the EVF, showing what the sensor sees, and OVF, which also shows what’s outside the frame. An OVF Image Display option allows you to view an image after it has been made, either at full screen or in the corner of the viewfinder.

20 YEARS, 20 FILM SIMULATION

FUJIFILM’S COLOUR SCIENCE
The 20 Film Simulation modes offered by X100VI, including the new REALA ACE mode, harness 90 years of Fujifilm colour science, digitally replicating the look of classic photographic film stocks. Reproduce the classic colours and tones Fujifilm is renowned for, or add artistic flair and start to BUILD YOUR LEGACY. Digital cameras took over the know-how of film image quality design that had been pursued since the company’s founding.This is the film simulation that was born in 2004. It offers the same surprises and discoveries as when shooting with film, stimulating the photographer’s imagination and expanding the possibilities of photography.


PROVIA/STANDARD
Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode caters for all subject types, offering a neutral colour reproduction.

 


Velvia/VIVID
Based on FUJICHROME Velvia, an ultra-vivid reversal film designed for professionals, this Film Simulation mode provides richer and more high-contrast colours than the PROVIA/STANDARD. It is a favorite of landscape photographers.

 


ASTIA/SOFT
Based on FUJICHROME ASTIA, a reversal film designed for fashion portraits, this Film Simulation mode prioritises soft and faithful reproduction of skin tones, while also depicting vivid blue skies and greenery.


CLASSIC CHROME
This Film Simulation mode is designed to reproduce a look similar to documentary magazines of the 20th century. Its low-saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism.


ETERNA/CINEMA
Based on ETERNA, a film designed for motion pictures, this Film Simulation mode minimises saturation to ensure no colour overpowers another. It provides extremely soft tonal gradation in highlights, and deep shadows to prevent clipping, reproducing a cinematic look.

 

CREATIVE FEATURES
Add extra options to your image-making journey by combining X100VI’s unique Film Simulation modes with other creative features. Use analog effects such as film grain, or boost colour depth, clarity, or sharpness to elevate your images, and take full control of highlight and shadow tones to dramatically expand your creative palette. A truly bespoke photographic adventure awaits.

 

GRAIN EFFECT
From subtle textures to the gritty look of traditional high-ISO film stocks, with X100VI you can easily add natural-looking grain to your photos. Control the strength and size for just the right amount of texture on any image.

COLOR CHROME EFFECT
For highly-saturated subjects, Color Chrome Effect adds depth, detail, and vibrancy in three strengths to red, green, or yellow tones where detail may otherwise be lost. Or use Color Chrome FX Blue to boost the blue tones in an image.

 

SUBJECT DETECTION AUTOFOCUS
UPDATED AF ALGORITHM

X100VI uses X-Processor 5’s subject detection AF to accurately track a range of subjects. Built using deep-learning AI technology, it detects animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones.* X100VI incorporates an impressive autofocus prediction algorithm for reliable focusing even when recording continuously moving subjects. Autofocus enhancements are most notable in Zone AF and low-contrast situations.

*SUBJECT DETECTION SETTING to be set to BIRD for insect detection, and to AIRPLANE for detecting drones.

 

 

STANDARD SENSITIVITY
ISO 125
The X-Trans™ CMOS 5 HR sensor in X100VI has a more light-efficient pixel structure. A setting of ISO 125, which on the prior model, X100V was only an extended sensitivity option, is now available natively on the X100VI.

 

S/N LEVEL
LOW-LIGHT POWER
The high-resolution 40.2-megapixel X-Trans™ CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio. Astonishing image quality is in the palm of your hand.

 

 

6.2K/30P 4:2:2 10-BIT INTERNAL RECORDING
6.2K/30P
X100VI offers advanced video performance in a compact, lightweight body. Create movies up to 6.2K internally at 30p in 4:2:2 10-bit colour. 4K/60p and high-speed 1080/240p are also available, maximising video flexibility.

 

BE READY
SUBJECT TRACKING
Track subjects in your videos with ease.  Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. X100VI will track the object, even in situations where multiple subjects appear in the frame.

 

COMPATIBLE WITH FRAME.IO
CAMERA TO CLOUD
X100VI supports Frame.io Camera to Cloud natively. No accessary needed integration for Frame.io and deliver photos or video straight to the cloud the moment after they are created.

 

RICH SYSTEM EXPANDABILITY

 


AR-X100/PRF-49
Accessorise the X100VI with optional extras. The lightweight AR-X100 adapter ring is machined from metal and allows 49mm filters to be attached. The PRF-49 offers reassuring protection for the 23mmF2 lens.
*Attach the AR-X100/LH-X100 adapter ring (designed exclusively for X100 Series), then attach the filter.

 

WEATHER RESISTANCE
Using the AR-X100 and PRF-49 together make the X100VI weather-resistant. The combination confidently repels dust, moisture, and temperatures down to -10°C (14°F) , so you can keep creating in more challenging conditions.

WIDE CONVERSION LENS WCL-X100II
A dedicated Wide Conversion Lens* that multiplies the fixed focal length by approximately 0.8x, without any discernible drop in image quality. Once attached, it converts the 23mmF2 lens to 28mm (35mm format equivalent).
*Lens sold separately.

 

TELE CONVERSION LENS TCL-X100II
A dedicated Tele Conversion Lens* that multiplies the fixed focal length by approximately 1.4x, without any discernible drop in image quality. Once attached, it converts the 23mmF2 lens to 50mm (35mm format equivalent).
*Lens sold separately.

DIGITAL TELE-CONV.
To get closer to a subject, the Digital Teleconverter crops in on the sensor, while still delivering sharp, high-resolution results. Two magnifications are available: 1.4x and 2x, providing extra framing options as required.
*The Digital Teleconverter does not operate in all available modes.

BUILT-IN ND FILTER
Ideal for stills and video use, X100VI has a four-stop ND filter built into the lens. It helps deliver a wide aperture in bright conditions to separate the subject from the background, or extends shutter speeds to emphasise movement.

 

LI-ION BATTERY NP-W126S
X100VI is supplied with the NP-W126S rechargeable li-ion battery. Despite the extra functions available on the camera, the battery life remains approximately 450* frames; the same level as that of the previous model, X100V.
*In Economy mode.

LENS HOOD LH-X100
Cut down the chances of lens flare and glare degrading images by attaching the optional LH-X100*. The lens hood effectively blocks the sun or other light sources to boost image quality and maximise detail.
*AR-X100 is included with LH-X100.

 

Resource: https://fujifilm-houseofphotography.com.au

Specifications

  • Brand

    FujiFilm
  • Specifications

     

    MODEL NAME

    FUJIFILM X100VI

     

    IMAGE SENSOR

    23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter

     

    NUMBER OF EFFECTIVE PIXELS

    40.2 millions pixels

     

    SENSOR CLEANING SYSTEM

    Ultra Sonic Vibration

     

    IMAGE PROCESSING ENGINE

    X-Processor 5

     

    STORAGE MEDIA

    • SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I
      *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.

     

    FILE FORMAT OF STILL IMAGE

    DCF

    Compliant with Design rule for Camera File system (DCF2.0)

     

    JPEG

    Exif Ver.2.32*1

     

    HEIF

    4:2:2 10bit

     

    RAW

    14bit RAW (RAF original format)

     

    TIFF

    8bit / 16bit RGB (In-camera Raw Conversion Only)

     

    NUMBER OF RECORDED PIXELS

    [L

    〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432×5152

     

    [M

    〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560×3648

     

    [S

    〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264×2592

     

    PANORAMA[L

    〈vertical〉2160 x 9600 〈Horizontal〉9600 x 1440

     

    PANORAMA[M

    〈vertical〉2160 x 6400 〈Horizontal〉6400 x 1440

    LENS

    TYPE

    FUJINON single focal length lens

     

    FOCAL LENGTH

    f=23mm (35mm format equivalent : 35mm)

     

    MAX. APERTURE

    F2.0

     

    LENS CONFIGURATION

    8 elements in 6 groups (includes 2 aspherical elements)

     

    ND FILTER

    Yes (4 stops)

     

    APERTURE

    F2 – F16 1/3EV step (controlled with 9-blade aperture diaphragm)

     

    FOCUS RANGE

    Approx. 10cm to infinity / 3.9in. to infinity

     

    CONVERSION LENS

    WIDE / TELE / OFF

     

    DIGITAL TELE-CONVERTER

    70mm* / 50mm* / 35mm*(Nomal)*35mm fomat equivalent

     

    SENSITIVITY

    STILL IMAGE

    • Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO125~12800 (1/3 step)
    • Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200

     

    MOVIE

    • Standard Output: AUTO / ISO125~12800 (1/3 step)
    • Extended Output: ISO25600

     

    EXPOSURE CONTROL

    TTL 256-zone metering / Multi / Spot / Average / Center Weighted

     

    EXPOSURE MODE

    P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)

     

    EXPOSURE COMPENSATION

    STILL

    -5.0EV~+5.0EV 1/3EV step

     

    MOVIE

    -2.0EV~+2.0EV 1/3EV step

     

    IMAGE STABILIZER

    MECHANISM

    Image sensor shift mechanism with 5-axis compensation

     

    COMPENSATION EFFECT

    • 6.0 stops
    • *based on CIPA standard
    • *Pitch/yaw shake only
    • *When shooting with EVF/LCD

     

    DIGITAL IMAGE STABILIZATION

    Yes (movie mode only)

     

    IS MODE BOOST

    Yes (movie mode only)

     

    SHUTTER TYPE

    Lens Shutter

     

    SHUTTER SPEED

    MECHANICAL SHUTTER

    P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb: up to 60min.

     

     

    ELECTRONIC SHUTTER

    P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed

     

    MECHANICAL + ELECTRONIC SHUTTER

    • P mode:30sec. to 1/180000sec. A mode:30sec. to 1/180000sec. S/M mode:15min. to 1/180000sec. Bulb:up to 60min.
    • *Mechanical shutter works until 1/4000sec.
       

    MOVIE

    • 6.2K: 1/4000sec. to 1/24 sec. 4K/DCI4K: 1/4000sec. to 1/24 sec. FHD: 1/4000sec. to 1/24 sec.
      *Cannot choose slower shutter speed than framerate for some settings.

     

    CONTINUOUS SHOOTING

    • CH Electronic shutter Approx. 20fps (1.29x Crop) (No. of recordable frames: JPEG 117 frames, Compressed RAW 52 frames, Lossless compressed RAW 35 frames, Uncompressed RAW 17 frames, Compressed RAW + JPEG 25 frames, Lossless compressed RAW + JPEG 22 frames, Uncompressed RAW + JPEG 17 frames)
    • CH Electronic shutter Approx. 13fps (1.29x Crop) (No. of recordable frames: JPEG 146 frames, Compressed RAW 57 frames, Lossless compressed RAW 36 frames, Uncompressed RAW 17 frames, Compressed RAW + JPEG 38 frames, Lossless compressed RAW + JPEG 33 frames, Uncompressed RAW + JPEG 17 frames)
    • CH Electronic shutter Approx. 10fps (1.29x Crop) (No. of recordable frames: JPEG 163 frames, Compressed RAW 59 frames, Lossless compressed RAW 36 frames, Uncompressed RAW 18 frames, Compressed RAW + JPEG 36 frames, Lossless compressed RAW + JPEG 33 frames, Uncompressed RAW + JPEG 17 frames)
    • CH Electronic shutter Approx. 13fps (No. of recordable frames: JPEG 80 frames, Compressed RAW 38 frames, Lossless compressed RAW 24 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 25 frames, Lossless compressed RAW+JPEG 18 frames, Uncompressed RAW+JPEG 17 frames)
    • CH Electronic shutter Approx. 8.9fps (No. of recordable frames: JPEG 84 frames, Compressed RAW 38 frames, Lossless compressed RAW 24 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 29 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 17 frames)
    • CH Mechanical shutter Approx. 11fps (No. of recordable frames: JPEG 38 frames, Compressed RAW 33 frames, Lossless compressed RAW 21 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 28 frames, Lossless compressed RAW+JPEG 23 frames, Uncompressed RAW+JPEG 17 frames)
    • CH Mechanical shutter Approx. 8.0fps (No. of recordable frames: JPEG 76 frames, Compressed RAW 35 frames, Lossless compressed RAW 21 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 28 frames, Lossless compressed RAW+JPEG 23 frames, Uncompressed RAW+JPEG 17 frames)
    • CL Mechanical shutter Approx. 6.0fps (No. of recordable frames: JPEG 97 frames, Compressed RAW 36 frames, Lossless compressed RAW 23 frames, Uncompressed RAW 18 frames, Compressed RAW+JPEG 29 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 18 frames)
    • CL Approx. 5.0fps (No. of recordable frames: JPEG 110 frames, Compressed RAW 42 frames, Lossless compressed RAW 25 frames, Uncompressed RAW 18 frames)
    • CL Approx. 4.0fps (No. of recordable frames: JPEG 184 frames, Compressed RAW 48 frames, Lossless compressed RAW 26 frames, Uncompressed RAW 19 frames)
    • CL Approx. 3.0fps (No. of recordable frames: JPEG 504 frames, Compressed RAW 57 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 20 frames)
    • Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (No. of recordable frames: While half press 20 frames, After full press 135 frames, Total 155 frames)
    • Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (No. of recordable frames: While half press 13 frames, After full press 177 frames, Total 190 frames)
    • Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (No. of recordable frames: While half press 10 frames, After full press 240 frames, Total 250 frames)
    • Pre-shot Electronic shutter Approx. 11fps (No. of recordable frames: While half press 11 frames, After full press 79 frames, Total 90 frames)
    • Pre-shot Electronic shutter Approx. 8fps (No. of recordable frames: While half press 8 frames, After full press 102 frames, Total 110 frames)
    • *Recordable frames depends on recording media
    • *Speed of continuous shooting depends on shooting environment and shooting frames

     

    DRIVE MODE

    AE BRACKETING

    • 2 frames / 3 frames / 5 frames / 7 frames / 9 frames
    • *by 1/3EV step, up to ±3EV steps

     

    FILMSIMULATION BRACKETING

    Any 3 types of film simulation selectable

     

    DYNAMIC RANGE BRACKETING

    100% / 200% / 400%

     

    ISO SENSITIVITY BRACKETING

    ±1/3EV / ±2/3EV / ±1EV

     

    WHITE BALANCE BRACKETING

    ±1 / ±2 / ±3

     

    FOCUS BRACKETING

    AUTO / MANUAL

     

    MULTIPLE EXPOSURE

    Yes (Max. 9 frames) / Additive / Average / Bright / Dark

     

    HDR MODE

    AUTO / 200% / 400% / 800% / 800% +

     

    ADVANCED FILTER

    Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple)

     

    FOCUS

    MODE

    Single AF / Continuous AF / MF

     

    TYPE

    Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)

     

    LOW-LIGHT PERFORMANCE

    • Contrast: -2.0EV
    • Phase Detection: -5.0EV

     

    AF FRAME SELECTION

    • Single point AF: 13×9 / 25×17 (Changeable size of AF frame)
    • Zone AF: 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid
    • Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking)
    • All: Yes

     

    FACE/EYE DETECTION

    Yes

     

    SUBJECT DETECTION

    Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)

     

    FLASH

    BUILT-IN FLASH

    • Auto flash [Super Intelligent Flash]
    • Guide Number: approx. 4.4 (ISO100・m)
    • Effective range(ISO1600): approx. 30cm – 7.4m/1.0ft. – 24.3ft.
    • Sync. Mode: 1st Curtain / 2nd Curtain
    • Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF

     

    SHOE MOUNT FLASH

    • Sync. Mode: 1st Curtain / 2nd Curtain
    • Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF

     

    HOT SHOE

    Yes (Dedicated TTL Flash compatible)

     

    VIEWFINDER (HYBRID VIEWFINDER)

    • OVF: Reverse Galilean viewfinder with electronic bright frame display
    • Coverage of Frame Area v.s. Capturing Area: approx. 95%
    • Magnification: approx x0.52

     

    VIEWFINDER

    • EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots
    • Coverage of Viewing Area vs. Capturing Area: Approx. 100%
    • Eyepoint: Approx. 16.8mm (from the Rear End of the Camera’s Eyepiece)
    • Diopter Adjustment: -4~+2m-1
    • Magnification: 0.66x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
    • Diagonal Angle of View: approx. 32° (Horizontal angle of view: approx. 27° )
    • Built-In Eye Sensor

     

    LCD MONITOR

    • 3.0 inch tilting touch screen color LCD monitor
    • Aspect Ratio: 3:2
    • Dots: Approx. 1.62 million dots

     

    TOUCH SCREEN MODE

    SHOOTING MODE

    Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting

     

    PLAYBACK MODE

    Swipe, Pinch-in / Pinch-out, Double-tap, Drag

     

    MOVIE RECORDING

    FILE FORMAT

    • MOV:
    • HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
    • MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
    • MP4:
    • MPEG-4 AVC/H.264, AAC

     

    MOVIE COMPRESSION

    Long GOP

     

    FILE SIZE
    FRAME RATE
    BITRATE

    • [6.2K(16:9)] 6240 x 3150 29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps
    • [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps
    • [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps
    • [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps
    • [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps
    • [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps
    • [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps
    • [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 200Mbps (recording)
    • [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 200Mbps (recording)
    • *For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
    • *Selectable bitrate will be changed depends on the setting.
    • *Recording time can become short depending on the temperature and/or shooting conditions

     

    FILM SIMULATION MODE

    20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)

     

    MONOCHROMATIC COLOR

    Yes

     

    GRAIN EFFECT

    ROUGHNESS

    STRONG, WEAK, OFF

     

    SIZE

    LARGE, SMALL

     

    COLOR CHROME EFFECT

    STRONG, WEAK, OFF

     

    COLOR CHROME BLUE

    STRONG, WEAK, OFF

     

    SMOOTH SKIN EFFECT

    STRONG, WEAK, OFF

     

    DYNAMIC RANGE SETTING

    STILL

    • AUTO / 100% / 200% / 400%
    • ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more

     

    MOVIE

    • 100% / 200% / 400%
    • ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more

     

    WHITE BALANCE

    AUTO

    White Priority / Auto / Ambience Priority

     

    CUSTOM

    Custom1 – 3

     

    COLOR TEMPERATURE SELECTION

    2500K~10000K

     

    PRESET

    Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater

     

    CLARITY SETTING

    ±5 steps

     

    SELF-TIMER

    STILL

    10sec. / 2sec.

     

    MOVIE

    10sec. / 5sec. / 3sec.

     

    INTERVAL TIMER SHOOTING

    Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)

     

    WIRELESS TRANSMITTER

    STANDARD

    IEEE802.11a/b/g/n/ac (standard wireless protocol)

     

    ENCRYPTION

    WPA/WPA2 mixed mode, WPA3

     

    ACCESS MODE

    Infrastructure

     

    BLUETOOTH®

    STANDARTD

    Bluetooth Ver. 4.2 (Bluetooth low energy)

     

    OPERATING FREQUENCY (CENTER FREQUENCY)

    2402~2480MHz

     

    TERMINAL

    DIGITAL INTERFACE

    USB Type-C USB 10Gbps

     

    HDMI OUTPUT

    HDMI Micro connector (Type D)

     

    OTHERS

    Microphone / shutter release input: ø2.5mm
    Hot shoe

     

    POWER SUPPLY

    NP-W126S Li-ion battery (included)

     

    BATTERY LIFE FOR STILL IMAGES*2

    • Economy Mode: Approx. 360 / 450 frames (EVF / OVF)
    • Normal Mode: Approx. 310 / 450 frames (EVF / OVF)

     

    ACTUAL BATTERY LIFE OF MOVIE CAPTURE*2

    • 6.2K: Approx. 45min. (29.97p)
    • 4K: Approx. 45min. (59.94p)
    • Full HD: Approx. 50min. (59.94p)、Approx. 55min. (120P)
    • *Face detection is set to OFF

     

    CONTINUANCE BATTERY LIFE OF MOVIE CAPTURE*2

    • 6.2K: Approx. 70min. (29.97p)
    • 4K: Approx. 70min. (59.94p)
    • Full HD: Approx. 85min. (59.94p)
    • *Face detection is set to OFF

     

    DIMENSIONS

    • Width: 128.0mm
    • Height: 74.8mm
    • Depth: 55.3mm
      (Minimum Depth: 33.2mm)

     

    WEIGHT

    • including battery and memory card: Approx. 521g
    • excluding battery and memory card: Approx. 471g

     

    OPERATION ENVIRONMENT

    OPERATING TEMPERATURE

    0℃~+40℃

     

    OPERATING HUMIDITY

    10% – 80% (no condensation)

     

    ACCESSORIES INCLUDED

    • Li-ion battery NP-W126S
    • USB cable
    • Shoulder strap
    • Metal strap clip
    • Clip attaching tool
    • Protective cover
    • Lens cap
    • Hot shoe cover
    • Owner’s manual

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