CANON EOS C50 Body

Name: CANON EOS C50 Body
SKU: VCN39387
Price: 49999000 IDR
Availability: OutOfStock

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SKU: VCN39387 Category: Canon Professional Camcorder Brand: Canon Brand: Canon

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Rp49.999.000

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CANON EOS C50 Body

Featuring a newly developed 7K full-frame CMOS sensor, the Canon EOS C50 Cinema Camera is a compact powerhouse for your video and photo needs. The EOS C50 is capable of recording 3:2 Open Gate video at 4K120 and raw video up to 7K60, as well as 32MP stills in photo mode. Simply select between dedicated photo and video modes for an intuitive hybrid shooting experience. Additional advanced features of the C50 include Dual-Pixel CMOS AF II, simultaneous 2K crop recording, built-in Frame.io Camera-to-Cloud integration, and XC protocol support for remote control. An included detachable top handle equips you with two 3-pin XLR inputs as well as onboard controls for easy-to-reach adjustments.

7K Full-Frame CMOS Sensor

The C50 is equipped with a 7K full-frame CMOS sensor that creates images with low noise for improved performance in a wide variety of lighting environments. This maximizes the camera’s full 15+ stop dynamic range in full-frame sensor mode. Using 7K resolution provides greater flexibility in post, such as oversampled 4K60 footage.

3:2 Open Gate Sensor Mode

The first of the cinema EOS line to do so, the C50 offers Open Gate recording options for the use of the full dimensions of the sensor. Select Full Frame 3:2 from the Sensor mode section of the main menu to shoot using the full area of the sensor. Then you can use that information in post to crop or reframe your footage to aspect ratios of your choice. This proves useful when shooting with anamorphic lenses.

Internal Raw and High Frame Rate Recording

Additional recording options of the C50 include 7K60 Cinema RAW Light with three 12-bit recording modes in HQ, ST, and LT. Standard XF-AVC codec is available in 10-bit 4:2:2 for rich detail and smooth images at frame rates up to 120 fps without cropping. You can also record in fast or slow motion up to 4K120 and 2K180. Other recording codecs include XF-AVC S and XF-HEVC S for easy-to-manage naming systems and folder structures while preserving metadata.

Anamorphic De-Squeeze

The C50 features internal support for anamorphic de-squeeze. Preview your footage more accurately when shooting in different magnification ratios by toggling the de-squeeze options in the camera menu: 2x, 1.8x, 1.5x, 1.3x.

Dual-Base ISO

Base ISOs of 800 and 6400 in Canon Log 2 gamma recording mode maximize the full dynamic range of the C50’s sensor. The camera also features Auto Selection to automatically toggle between one of the two base ISO levels and another level while maintaining the dynamic range.

Dual-Pixel CMOS AF II

Keep your subject in focus, whether you’re shooting in slow or fast motion. The Dual-Pixel CMOS AF II can accommodate speeds up to 4K120 and 2K150, ensuring that even when using high frame rates, your subject remains in focus. The C50’s sensor has improved light-capturing efficiency, which widens the area of the sensor that can be used for autofocus. An internal subject detection algorithm with deep learning technology allows you to set face/eye detection to left or right eye priority in both humans and animals. Animal detection also now includes birds.

Simultaneous Crop Recording

Choose between three format options—9:17, 9:16, or 1:1—to automatically crop your image down when shooting in DCI or UHD 4K resolutions. The cropped portion of the frame will be saved in your selected aspect ratio and will be in 2K resolution. All of this reduces turnaround time when formatting videos for social media deliverables.

Dual Card Slots

The C50 includes two different card slots—one CFexpress Type-B and one SD card. Both slots support simultaneous recording even when shooting in raw codecs. All recording options are stored to your inserted CFexpress card, while sub-recording and proxy options record to your inserted SD card.

Native Vertical Shooting UI

Vertical shooting is even more intuitive now thanks to the C50’s vertical shooting UI. Simply switch to native Vertical Shooting to flip your display accordingly. It also supports touch controls for start/stop recording from vertical screen mode. All of the shooting UI, menu settings, and LCD brightness adjustments are reoriented for an optimized filming experience.

Detachable Handle Unit

The included, detachable handle unit provides additional connectivity for your C50 handheld configuration. Two full-sized 3-pin XLR inputs with 48V phantom power allow you to integrate shotgun microphones. A built-in start/stop recording button and a zoom rocker offer easy-to-reach controls when filming low-angle shots.

Comprehensive Connectivity

The camera body of the C50 provides you with a wide variety of ports to create a camera rig best suited to your production needs. Connections include an HDMI output, a headphone output, a timecode port, a 3.5mm microphone input, a 2.5mm remote port, and a multipurpose USB-C port for a smartphone or Ethernet adapter. The camera also features an intelligent hot shoe for wireless audio communication.

XC Protocol

Built-in Wi-Fi facilitates XC Protocol for the C50, Canon’s IP-based remote control system. XC Protocol allows the camera to be operated by IP-based Canon control units like the RC-IP1000 or RC-IP100, while third-party remote control panels can shade the camera. Use a USB-C to Ethernet adapter for additional connectivity options. Canon’s Remote Control Camera application and Multi-Camera Control app can toggle camera settings as well as control multiple cameras. The C50 supports SRT protocols for direct IP streaming of audio and video to compatible sources.

Frame.io Camera-to-Cloud Integration

The C50 has native compatibility with Frame.io’s Camera-to-Cloud technology. Send proxy files immediately after internal recording for efficient post-production workflows. The proxy files don’t require additional processing or conversion and can be viewed, shared, and edited remotely.

Virtual Production Support

The C50 can output CV Protocol to multiple devices, easily slotting into virtual production workflows. Lens metadata is extracted using the CV Metadata Extraction plugin on compatible computers.

Mirrorless Photo Mode

Transform the C50 from a cinema camera into a full-featured mirrorless camera with the flip of a switch. The C50 borrows from the familiar EOS R series menu system for intuitive control. Hybrid shooters no longer need to carry two cameras at once for a streamlined workflow. The Full-Frame sensor offers a shallow depth of field with a pleasant bokeh, using a standard ISO of up to 64,000. Still photo resolutions can reach 32MP, and you can reach a maximum of 40 shots per second during high-speed continuous shooting. Dual-Pixel CMOS AF II is still supported in this mode.

Specification

Image Sensor

Sensor

3:2 Full Frame CMOS sensor (35.9 x 23.9mm)

Filter

RGB primary colour filter (Bayer array)

Sensor Modes

Full Frame 3:2 / Full Frame / Super 35mm (Crop) / Super 16mm (Crop)

Total Pixels

Approx. 34.20 megapixels

Effective Pixels

Video Mode:
Approx. 32.373 megapixels (6968 x 4646): When resolution is 6960 x 4640 or 6912 x 4608
Approx. 25.628 megapixels (6968 x 3678): When resolution is 6960 x 3672, 4096 x 2160, or 2048 x 1080
Approx. 24.032 megapixels (6534 x 3678): When resolution is 3840 x 2160 or 1920 x 1080

Photo Mode:
Approx. 32.3 megapixels (6960 x 4640)

Effective Sensor Screen Size

Full Frame 3:2
35.9 x 23.9 mm (43.2 mm on the diagonal): When resolution is 6960 x 4640
35.7 x 23.8 mm (42.9 mm on the diagonal): When resolution is 6912 x 4608

Full Frame:
35.9 x 18.9 mm (40.6 mm on the diagonal): When resolution is 6960 x 3672, 4096 x 2160, or 2048 x 1080
33.6 x 18.9 mm (38.6 mm on the diagonal): When resolution is 3840 x 2160 or 1920 x 1080

Dynamic Range

Full Frame:
Canon Log 2: 1600% / 15+ stops (at ISO 800)
Super 35mm:
Canon Log 2: 1600% / 16 stops (at ISO 800)

Base ISO: 800 / 6400*
*when shooting in RAW or Canon Log 2/3

Image Processor

Type

DIGIC DV7

Lens

Lens Mount

Canon RF mount
PL mount support via PL-RF Mount Adapter
EF mount support via EF-EOS R Mount Adapter

Lens Magnification Factor

Full Frame 3:2;
6960×4640: Actual focal length x Approx. 1.00

Full Frame;
6960×3672, 4096×2160 or 2048×1080: Actual focal length x Approx. 1.06
3840×2160 or 1920×1080: Actual focal length x Approx.1.12

Super 35mm (Crop);
5036×2656, 4096×2160 or 2048×1080: Actual focal length x Approx.1.47
3840×2160 or 1920×1080: Actual focal length x Approx.1.54

Super 16mm (Crop);
2524×1332 or 2048×1080: Actual focal length x Approx.2.92
1920×1080: Actual focal length x Approx.3.08

Digital Lens Correction

Peripheral Illumination Correction
Chromatic Aberration Correction
Diffraction Correction
Distortion Correction (RF lenses only)
Focus Breathing Correction (Supported RF lenses only)

ND Filter

Iris Control (EF Mount Lenses)

1/2-stop, 1/3-stop or FINE control
Auto Iris

Cooke /i Technology™ Support

Only when equipped with Mount Adapter PL-RF

Anamorphic Lens Support

x2.0 / x1.8 / x1.5 / x1.3

Image Stabilization System

5-Axis Combination IS (Optical and Digital) with supported lenses
Digital 5-Axis IS for non IS lenses

Recording

Internal Recording Media

1x Cfexpress 2.0 (Type-B)
1x SD Card (SD / SDHC / SDXC)¹

Recording Time

Cinema RAW Light LT:
FF 3:2 6960 x 4640 976 Mbps approx. 65 Mins
FF 6960 x 3672 773 Mbps: approx. 81 Mins
Cinema RAW Light ST:
FF 3:2 6960 x 4640 1510 Mbps approx. 42 Mins
FF 6960 x 3672 1190 Mbps: approx. 55 Mins
Cinema RAW Light HQ:
FF 6960 x 3672 2420 Mbps: approx. 26 Mins
XF-AVC:
FF 4096 x 2160 or 3840 x 2160 500 Mbps: approx. 136 Mins
XF-AVC S:
FF 4096 x 2160 or 3840 x 2160 500 Mbps: approx. 136 Mins
XF-HEVC S:
FF 3:2 6912 x 4608 1350 Mbps: approx. 50 Mins
FF 4096 x 2160 or 3840 x 2160 135 Mbps: approx. 505 Mins²

Recording Formats

Video Mode:
Cinema RAW Light (CRM) / XF-AVC (MXF) / XF-AVC S (MP4) / XF-HEVC S (MP4)

Photo Mode:
RAW / C-RAW / Dual Pixel RAW / HEIF / JPEG

Relay Recording

Yes³

Double Slot (Simultaneous) Recording

Yes

Simultaneous Recording in Multiple Formats

Yes

System Frequency / Frame Rates

59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P)
50.00Hz mode (50.00P / 50.00i / 25.00P)
24.00 Hz mode (24.00P)

Cinema RAW Light Bit Rate / Bit Depth (PAL)

12-bit Cinema RAW Light LT:
FF 3:2 / 6960 x 4640 / 25P [976 Mbps]
FF / 6960 x 3672 / 50P [1550 Mbps]
FF / 6960 x 3672 / 25P [773 Mbps]
S35 / 5036 x 2656 / 50P [811 Mbps]
S35 / 5036 x 2656 / 25P [406 Mbps]
S16 / 2524 x 1332 / 50P [206 Mbps]
S16 / 2524 x 1332 / 25P [103 Mbps]

12-bit Cinema RAW Light ST:
FF 3:2 / 6960 x 4640 / 25P [1510 Mbps]
FF / 6960 x 3672 / 50P [2380 Mbps]
FF / 6960 x 3672 / 25P [1190 Mbps]
S35 / 5036 x 2656 / 50P [1250 Mbps]
S35 / 5036 x 2656 / 25P [624 Mbps]
S16 / 2524 x 1332 / 50P [316 Mbps]
S16 / 2524 x 1332 / 25P [158 Mbps]

12-bit Cinema RAW Light HQ:
FF / 6960 x 3672 / 25P [2420 Mbps]
S35 / 5036 x 2656 / 25P [1270 Mbps]
S16 / 2524 x 1332 / 50P [642 Mbps]
S16 / 2524 x 1332 / 25P [321 Mbps]

XF-AVC Recording Bit Rate / Sampling (PAL / MXF)

4:2:2 10-bit (Intra-frame):
4096×2160 or 3840×2160 / 50P [1000 / 750 / 500 Mbps]
4096×2160 or 3840×2160 / 25P [500 / 375 / 250 Mbps]
2048×1080 or 1920×1080 / 50P [250 Mbps]
2048×1080 or 1920×1080 / 25P [150 Mbps]
1920×1080 / 50i [125 Mbps]

4:2:2 10-bit (Long GOP):
4096×2160 or 3840×2160 / 50P [250 Mbps]
4096×2160 or 3840×2160 / 25P [150 Mbps]
2048×1080 or 1920×1080 / 50P [50 Mbps]
2048×1080 or 1920×1080 / 25P [50 Mbps]
1920×1080 / 50i [50 / 25 Mbps]

XF-AVC S Recording Bit Rate / Sampling (PAL / MP4)

4:2:2 10-bit (Long GOP):
4096×2160 or 3840×2160 / 50P [250 Mbps]
4096×2160 or 3840×2160 / 25P [150 Mbps]
2048×1080 or 1920×1080 / 50P [50 Mbps]
2048×1080 or 1920×1080 / 25P [50 Mbps]

4:2:0 8-bit (Long GOP):
4096×2160 or 3840×2160 / 50P [150 Mbps]
4096×2160 or 3840×2160 / 25P [100 Mbps]
2048×1080 or 1920×1080 / 50P [35 Mbps]
2048×1080 or 1920×1080 / 25P [35 Mbps]

XF-HEVC S Recording Bit Rate / Sampling (PAL / MP4)

4:2:2 10-bit (Intra-frame):
6912×4608 / 25P [1350 / 900 Mbps]

4:2:2 10-bit (Long GOP):
6912×4608 / 25P [486 Mbps]
4096×2160 or 3840×2160 / 50P [225 Mbps]
4096×2160 or 3840×2160 / 25P [135 Mbps]
2048×1080 or 1920×1080 / 50P [50 Mbps]
2048×1080 or 1920×1080 / 25P [50 Mbps]

4:2:0 10-bit (Long GOP):
4096×2160 or 3840×2160 / 50P [150 Mbps]
4096×2160 or 3840×2160 / 25P [100 Mbps]
2048×1080 or 1920×1080 / 50P [35 Mbps]
2048×1080 or 1920×1080 / 25P [35 Mbps]

Proxy Recording Bit Rate / Sampling (PAL)

4:2:0 8-bit (Long GOP):
2048×1080 or 1920×1080 [35 / 16 / 9 Mbps]
1280 x 720 [6 Mbps]

4:2:0 10-bit (Long GOP):
2048×1080 or 1920×1080 [16 / 9 Mbps]⁴

Slow / Fast Motion

7K 3:2 RAW: up to 30FPS
7K 17:9 RAW: up to 60FPS
5K RAW (S35 Crop): up to 60FPS
2.5K RAW (S16 Crop): up to 150FPS
4K recording: up to 120FPS
2K recording: up to 180 FPS

Interval Record

Yes

Frame Record

Yes

Pre Record (Cache Record)

3 Seconds⁵

Continuous Recording

Yes⁶

Simultaneous Crop Recording

1080 x 1920 or 1080 x 1080

Digital Tele-converter

1.5x, 2x, 2.5x, 3x, Digital Zoom, Off

Photo Recording Size

3:2 ratio:
(L, RAW, C-RAW) 6960×4640, (M) 4800×3200, (S1) 3472×2320, (S2) 2400×1600
1.6x (crop):
(L, RAW, C-RAW) 4320×2880, (S2) 2400×1600
4:3 ratio:
(L) 6160×4640, (M) 4256×3200, (S1) 3072×2320, (S2) 2112×1600
16:9 ratio:
(L) 6960×3904, (M) 4800×2688, (S1) 3472×1952, (S2) 2400×1344
1:1 ratio:
(L) 4640×4640, (M) 3200×3200, (S1) 2320×2320, (S2) 1600×1600

System

Display Type

3.0 inch LCD Touch Panel

Display Resolution

approx. 1.62 million dots (900xRGBx600)

Display Touch Screen Functions

Focus Point Selection
Touch Screen UI for Shooting Settings

OSD for Vertical Shooting

Yes

Wave Form Monitor

Yes (Line / Line + Spot / RGB Parade / YPrPb Parade)

False Colour Display (Exposure Indication)

Yes (6 Colour Index)

Colour Bars

SMPTE / EBU / ARIB

Peaking

Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable)

Zebra

Level 1; Level 2; Both

Markers

On/Off selectable: centre, horizontal / verstical, grid, aspect, safe area and user marker. Colour selectable

EVF

Built-In EVF

Inputs / Outputs

Audio In

2x XLR 3-pin jack (Handle Unit)
1x 3.5 mm stereo mini jack
Built in Stereo microphones on camera body

Headphone Output

1x 3.5mm stereo mini jack

Video Monitor Output

HDMI

1x HDMI (Type-A)

USB

1x USB-C Data Terminal (USB3.2 Gen2)

SDI Output

Time Code

1x DIN1.0/2.3 (Input / Output)

Genlock

Sync

DC Input

Yes, via DR-E6P / DR-E6C DC Coupler

Multi-Accessory Shoe

Yes (via camera body)

Remote Control Terminal

1x E3 2.5mm remote jack

Lens Terminal

Ethernet Terminal

No, requires a compatible USB-C Ethernet Adapter⁷

IP Streaming / FTP

IP Streaming via Network connection
9 Mbps / 4 Mbps: 1920 x 1080 (59.94p / 59.94i / 50.00p / 50.00i)
UDP / RTP / SRT / RTP+FEC / RTSP+RTP

UVC Output

USB Video Class Support:
2048×1080 / 1920×1080 / 1620×1080 (depending on recording resolution)
25P / 30P / 50P / 60P

UAC Output

USB Audio Class Support:
Linear PCM (16-bit / 48 kHz, 2 channels)

User LUT Input

Yes, in-built LUTs available for monitoring.
Custom LUTs can be applied directly to internal recordings via Look File function (compatible with 17 or 33 grid .cube files)

Tally Signal

Yes, via Network using XC Protocol

Return Signal Input

Default Function Button Settings

AF-ON
2. MAGN.
3. MENU
4. DISP
5. PUSH AUTO IRIS
6. (unassigned)
7. REC
8. LOCK
9. PEAKING
10. WFM
11. FUNC
12. AF LOCK
13. REC
14. (unassigned)

User Assignable Buttons

14x Assignable Buttons

Miscellaneous

Tally Lamp

Yes, 2x (body) 1x (top handle)

Zoom Rocker

Yes, Optical and Digital Zoom⁸

Custom Dial

Yes, 3x

Software Application Support

Cinema RAW Development
XF Utility
RAW Plugin for Avid Media Access
RAW Plugin for Final Cut Pro
XF Plugin for Avid Media Access
Remote Camera Control Application
Multi-Camera Management Application
EOS VR Utility
EOS VR Plugin for Adobe Premiere Pro
CV Metadata Plugin for Adobe After Effects
Live Link Plugin for Unreal Engine
CV Metadata Extraction Tool
MP4 Join Tool
HEVC Activator
Frame.io Camera to Cloud

Smartphone Application Support

Canon Multi-Camera Control
Content Transfer Professional
Browser Remote Control

Exposure

Exposure Metering

Video Mode:
Standard, Backlight, Spotlight

Photo Mode:
Evaluative, Partial, Spot, Centre weighted average

Exposure Compensation

Yes

Auto Exposure Mode

Yes (Video mode: Auto Iris / ISO)

Push Auto Iris

Yes

Exposure Lock

Yes

Auto Gain Control Setting

Yes

ISO Sensitivity

ISO 100 to ISO 25,600 / 102,400* (increments of 1 or 1/3 stop)⁹

* When the sensitivity is expanded

Auto Focus System

Dual Pixel CMOS AF II

AF Frame Sizes

Full: approx. 100% (Vertical) x approx. 100% (Horizontal)
Small Zone: Video display range approx. 14.7% (Vertical) x 12.2% (Horizontal)
Flexible Zone 1: Video display range approx. 38% (Vertical) x 26% (Horizontal)
Flexible Zone 2: Video display range approx. 85% (Vertical) x 26% (Horizontal)
Flexible Zone 2: Video display range approx. 38% (Vertical) x 77% (Horizontal)

Auto Focus Modes

Continuous AF / One-Shot AF

Face Detection AF

Yes (Eye / Face / Head / Body)

Animal Detection AF

Video Mode:
Dogs / Cats / Birds

Photo Mode:
Dogs / Cats / Birds / Horses / Motorsports / Aircrafts / Trains

Focus Guide

Yes, with compatible Canon lenses

Gain Setting

-6dB*, -3dB*, -2dB**～48dB, 51dB*, 54dB*¹⁰

*when ISO Extended Range is set to ON
**when ISO Extended Range is set to OFF

Shutter

Control Modes

Video Mode:
Off; Speed; Angle; Clear Scan; Slow

Photo Mode:
Electronic

Shutter Speed

Video Mode:
1 sec to 1/2000 (1/3 or 1/4 stop increments), 47 options

Photo Mode:
30 sec to 1/8000 (1 stop increments)
15 sec to 1/16000 (1 stop increments)
Bulb (Total shutter speed range. Available range varies by shooting mode)

Shutter Angle

11.25º to 360º

Slow Shutter (SLS)

1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate

Clear Scan

approx. 24 Hz～2000 Hz depending on frame rate

Custom Picture

Stored Configurations

Video Mode:
C1: Canon 709
C2: Canon Log 2
C3: Canon Log 3
C4: BT.709 Wide DR
C5: BT.709 Standard
C6: PQ
C7: HLG
C8: EOS Standard
C9: EOS Neutral
C10: User10 ～User20

HDR-HLG Profile

BT.2100: Corresponds to ITU-R BT.2100
Vivid: Corresponds to Traditional Colour in ITU-R BT.2390

Colour Matrix

Neutral: Accurate colour reproduction
Production Camera: Colour reproduction for use in movie production
Video: Colour reproduction with contrast for TV broadcasts

Image Adjustment Parameters

Master Pedestal
Master Black
Black Gamma
Low Key Saturation
Knee
Sharpness
Noise Reduction
Skin Detail
Colour Matrix Tuning
White Balance
Colour Correction

Wi-Fi & GPS Specifications

Wi-Fi (Optional Third Party Accessory)

In-built (2.4 / 5GHz bands)
Supporting 802.11a/b/g/n/ac

GPS Information (Optional Accessory)

Only when equipped with GP-E2 GPS Receiver

White Balance

Auto

Yes

Preset

Video Mode:
Daylight (5600K), Tungsten (3200K), Kelvin (2000K-15000K, 100K or 5-mired increments), Set A, Set B

Photo Mode:
AWB, Daylight, Shade, Cloudy, Tungsten, Fluorescent, Flash, Manual, Color Temp (100K increments)

White Balance Shift

Video Mode:
-20CC～+20CC

Photo Mode:
-9 to +9 (Blue/Amber)
-9 to +9 (Magenta/Green)

Time Code

Count Up System

Regen / RecRun / Free Run / External

Audio

Recording Format

RAW / XF-AVC: Linear PCM (24-bit / 48 kHz, 4 channels)
XF-AVC S / XF-HEVC S: Linear PCM (24-bit / 48 kHz, 4 channels) or MPEG2-AAC LC (16 bit 48kHz) 2 channels

Accessories

Supplied

Handle Unit
LP-E6P Battery Pack
Battery Charger LC-E6E
Microphone Holder
Shoulder Strap
USB-C Cable
AC Cable

Optional

DR-E6P DC Coupler
DR-E6C DC Coupler + AC Adapter CA-946
PD-E1¹¹ / PD-E2 USB Power Adapter
BG-R20 Battery Grip
PL-RF Mount Adapter
EF-EOS R Mount Adapter
EF-EOS R Control Ring Mount Adapter
EF-EOS R Drop-In Filter Mount Adapter
EF-EOS R 0.71x Mount Adapter
RC-IP100 Remote Camera Controller
RC-IP1000 Remote Camera Controller
DM-E1D Multi-Function Shoe Directional Stereo Microphone
DM-E1 Directional Stereo Microphone
BR-E1 Wireless Remote Control
RS-80E3 / RS-60E3 / RS-80N3¹² Remote Switch
GP-E2 GPS Receiver
OC-E4A Off-Camera Shoe Cord
IFC-100U / IFC-400U Interface Cable

Third Party Accessories

Tascam CA-XLR2d XLR Microphone Adapter

Power Source

Power Supply (Battery)

LP-E6P Battery Pack (Supplied)
LP-E6NH¹³ Battery Pack (Optional)

Power supply (Mains)

DR-E6P DC Coupler
DR-E6C DC Coupler¹⁴ + AC Adapter CA-946
USB-C Power Adapter PD-E2

Physical Specifications

Dimensions (Main Body Only)

approx. W 142 x H 88 x D 95 mm

Weight (Body Only)

approx. 670 g

Weight (Accessories)

Handle unit: approx. 300g
Microphone holder + 2 screws: approx. 60g
LP-E6P Battery Pack: approx. 82g
LC-E6 Battery Charger: approx. 110g
LC-E6E Battery Charger: approx. 100g

Operating Temperature Range

Approx. 0 to 40°C, (85% relative humidity)
Approx. -5 to 45°C, (60% relative humidity)

CANON EOS C50 Body

Description

Specification

Cek Ongkir

CANON EOS C50 Body

Specification

Tujuan Pengiriman

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