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OM SYSTEM OM-1 Mark II Body Only

 

M.Zuiko Digital ED 12-40mm F2.8 PRO II

 

 

EVEALING WONDER.

The OM-1 Mark II is a statement of blazing fast speeds, unparalleled computational capabilities and tactile usability with refinements throughout the camera. What the OM-1 Mark II presents is a true wonder of outdoor photography equipment that will perform wherever you go.

 

Fast.
Never miss a moment with a large buffer size for sequential shooting, enhanced AI Subject Detection AF and blazing performance.

Smart.
Industry-leading computational photography features such as LiveGND and High Res Shot to give you the edge.

Compact.
Go lighter with an improved body feel, 8.5 stops of stabilising power and stellar battery life.

Tough.
Built to perform in every environment you find yourself in with IP53 certified weathersealing.

 

  • 5 EV Stops of stabilisation
  • Bird, Human, Pets, Cars, Aircrafts & Trains AI Subject Detection AF

 

  • LiveGND GND2, GND4 & GND8

 

  • Pro Capture
  • Blackout-free sequential shooting
  • LiveNDFrom ND2 to ND128

 

  • 120fps – S-AFin RAW
  • 50fps – C-AFin RAW

 

  • 120fps – 213 frame bufferin RAW
  • 50fps – 256 frame bufferin RAW

 

  • Highres Shotup to 80MP 14-bit RAW

 


High-speed AI Detection AF and precise C-AF

 

SPEED AND ACCURACY,
ESSENTIALS FOR OUTDOOR PHOTOGRAPHY.

The OM-1 Mark II picks up where the original OM-1 left off. The new camera boast with double buffer size and remarkable high speed sequential shooting — up to 50fps with continuous autofocus — coupled with improved autofocus accuracy and reliability.

Autofocus with AI subject detection

We improved the AI Subject Detection not only to maintain focus more accurately and reliably, but also to detect humans.
The enhanced AI Subject Detection allows you to selectively focus on a single subject, giving you precision in crowded scenes.

More accurate than ever before

OM-1 Mark II significantly enhances Auto Focus precision, especially for wildlife and adventure outdoor photography. This translates to an Auto Focus system that reliably locks onto subjects even in the most demanding photographic scenarios.

 


Pro Capture up to 120fps

With our Pro Capture Mode when you press the shutter button down halfway, it begins buffering a running series of photos at 120fps. When you see the moment you want, fully press the shutter and the camera saves that moment plus the buffered shots. Never miss a shot again because of a slow reaction.

 


Double buffer size
With increased memory in the camera, we’ve more than doubled the buffer size, jumping from 92* to an impressive 213 photos at 120 fps in RAW format.

 


Blackout-free sequential shooting
Now, in addition to the existing 25-120fps, we’ve added 12.5 fps and 16 fps for better shooting experience for static subjects.

 


New in-camera Graduated Natural Density Filter (Live GND)

 

IT’S WHAT’S INSIDE
THAT COUNTS.

A major focus of the OM-1 Mark II is its capability in computational photography. With the introduction of LiveGND — an in-camera graduated neutral density filter — you’re to leave your costly and clumsy external filters behind and trust the camera. Additionally, we’ve significantly enhanced the LiveND and High Res Shot features.

 

No more clumsy filters LiveGND

Introducing the new LiveGND, our Graduated Neutral Density filter for creative freedom to position the graduation precisely as you like.

The full spectrum of tones High Res Shot

The High Res Shot mode has always been a standout feature, and now, you can capture photos in 14-bit RAW.
• 80MP with tripod
• 50MP handheld

 


LiveND
Get long exposure shots in bright daylight with the in-camera LiveND feature. The OM-1 Mark II takes LiveND one EV stop further, up to ND128, providing even greater flexibility in challenging conditions.

 


Live Composite
The OM-1 Mark II’s Live Composite mode takes a series of continuous photos with the same exposure time, and then combines them into a single shot — making star trail photography and light paining easy without the fear of over exposure.

 


Focus stacking
Focus Stacking gives your images a whole new dimension by extending the depth of field from foreground to background. This is achieved by taking up to 15 individual photos at varying focus distances and then stitching them together into a single rendered composite image.

 


Market leading image stabilisation with 8.5EV stops

 

COMPACT SIZE.  FULL EXPERIENCE.

Not only is the OM-1 Mark II built compact enough to go with you anywhere. It also introduces industry-leading features to let you leave needless things behind.
With a record 8.5 EV stops in camera stabilisation, you can ditch the tripod with confidence and travel lighter.

 

8.5 EV stops of magic

The OM-1 Mark II boasts an impressive 8.5 EV stops of stabilisation, taking it 1.5 stops further than the already impressive OM-1. It also features Sync-IS up to 8.5 stops.

 


Keep Calm Carry-On.
Compared to the rivals, we are lighter in system weight. With the OM-1 Mark II, you fit a complete set of camera gear in a standard Carry-On bag.

 


Good to go. All day.
The OM-1 Mark II functions power efficiently. Coupled with our high-capacity BLX-1 Lithium-Ion rechargeable batteries, you can shoot for hours: up to 500 photos with a single charge.

 


Photograph in any weather conditions with IP53 weathersealing

 

AN OUTDOOR CAMERA AS TOUGH AS YOU ARE.

We don’t cut corners with the great outdoors. With IP53 certified weather-sealing, the OM-1 Mark II is built to excel through snow dust and rain. The tactile hand-feel of the body is also improved with the introduction of new rubbery dials for better grip and feel.

Not just secure, but proofed. IP53 Certified

The OM-1 Mark II can take everything from snowy mountain tops to desert sands. The IP53 standard indicates our dedication to keep your camera dust and splash proof.

 


Freezeproof construction
We built the OM-1 Mark II to withstand the cold with a build to thrive even when temperatures drop to -10°C.

 


Super Sonic Wave Filter
The OM-1 Mark II features a sensor filter to ward off dust and dirt with 30.000 vibrations per second each time you power on the camera.

 

LEARN FROM OUR PROS

Our team of ambassadors has rigorously tested the OM-1 Mark II in the great outdoors, pushing its capabilities to the extreme. Discover their insights and experiences with this remarkable camera.

 


OM-1 Mark II + M.Zuiko Digital ED 150-400mm F4.5 TC1.25X IS PRO

 

BROOKE BARTLESON
OM SYSTEM AMBASSADOR

“Ever since I got ahold of the new camera, I haven’t looked back. There’s so much to love. The image stabilization is beyond anything I thought was possible. Knowing that my wildlife shots will come out crisp and sharp without thinking twice about a tripod is so freeing, and enables me to go further and lighter than ever before.”

 


OM-1 Mark II + M.Zuiko Digital ED 150-400mm F4.5 TC1.25X IS PRO

 

PETR BAMBOUSEK
OM SYSTEM AMBASSADOR
“All the improvements check all the right boxes and make a big difference for me as a bird photographer. After shooting two months with the new flagship, there is no going back.”

 


OM-1 Mark II + M.Zuiko Digital ED 7-14mm F2.8 PRO + Live GND

 

MATT HORSPOOL
OM SYSTEM AMBASSADOR
“Amid torrential rain and unrelenting extreme winds, I had the privilege of unleashing this remarkable camera in the Scottish Highlands. In conditions that no equipment, clothing, or camera should endure, it not only survived but thrived. This camera really is a tool for the adventurous.”

 


OM-1 Mark II + M.Zuiko Digital ED 90mm F3.5 Macro IS PRO

 

CHRISTIAN BROCKES
OM SYSTEM AMBASSADOR
“The OM SYSTEM OM-1 was already a great camera with versatile features for all nature photographers. The OM-1 Mark II perfects it by taking a step further in overall performance.”

 

SEE IT IN ACTION

Building upon the legacy of its predecessor, the OM-1 Mark II stands ready for any adventure. Dive into our video to explore the exceptional features and capabilities this camera offers.

 

REVEALING THE SECRETS BEHIND GETTING THE BEST NATURE PHOTOS

 

Resource: https://explore.omsystem.com

Specification

Specifications

 

Type

Body material

Magnesium alloy body

 

Lens mount

Micro Four Thirds

 

Image Sensor

Type

4/3” Stacked BSI Live MOS sensor

 

Effective pixels

20.4 Megapixels

 

Full resolution

22.9 Megapixels

 

Aspect ratio & area

4:3 / 17.3 x 13.0mm

 

Filter array

Primary colour filter (RGB)

 

Engine

Type

TruePic X

 

Filter

Dust reduction filter

Supersonic Wave Filter

 

Viewfinder

Type

Electronical Viewfinder

 

Pixel number

5760K dots

 

Magnification

Max. 1.65x with a 50mm lens set to infinity at -1 dioptre (depending on selected viewfinder style)

 

Angle of view

Approx. 100%

 

Style

3 styles selectable

 

Brightness adjustment

Adaptive Brightness Technology / Manual settings: +/- 7 levels

 

Correction of color temperature

+/- 7 levels

 

Diopter adjustment

Equipped -4.0 – +2.0 diopters / built-in type

 

Eye point

21mm at -1 dioptre from eyepiece lens

 

S-OVF

Expands the Live View dynamic range

 

Note

*Available in the EVF when in P, A, S, M and B modes. Art filter, WB and exposure are not reflected in EVF.

 

Monitor

Monitor type

Vari-angle LCD – Touch Panel

 

Resolution

1620K dots

 

Monitor size

7.6cm / 3.0” (3:2)

 

Brightness adjustment

+/- 7 levels

 

Color balance

+/- 7 levels

 

Touch Control functions

AF area enlargement, AF area selection, Art Filter, Enlargement, Enlargement playback, Frame forward/backward, Live Guide, Shooting mode, Shutter release, Super Control Panel, Wi-Fi connection, Subject selection

 

Level Gauge

Detection

2-axis

 

Display

Rear display and viewfinder

 

Live View

Field of view

Approx. 100%

 

Dynamic range expansion

When in HDR1 or HDR2

 

Magnification levels

  • 3 / 5 / 7 / 10 / 14x
  • S/M mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised.

 

Live ND

  • 128
  • *P/A/S/M mode, flash can not be used, ISO up to 3200(up to 1600 in ISO Auto), the maximum shutter speed is 1/16000 (when ND2 is set) and the speed drops if the number of ND steps is raised.

 

Live GND

Available

 

Super Control Panel

Displayed information

AEL notification, AE bracketing, AF frame, Aperture value, Battery indicator, Colour saturation compensation value, Colour space, Contrast compensation value, Drive mode, Exposure compensation indicator, Exposure level view, Exposure mode, Face detection, Flash compensation value, Flash mode, Focus mode, Gradation, Histogram, Internal temperature warning, ISO, Metering mode, Noise reduction, Number of storable frames, Record mode, Sharpness compensation value, Shutter speed, White balance, White balance compensation value

 

Image Stabiliser

Type

Sensor shift

 

Modes

Five-dimensional, vertical or horizontal activation, automatic

 

Live View stabilisation

Available

 

Effective Compensation Range

  • Up to 8.5 EV steps* (Body only)
  • Up to 8.5 EV steps** Sync IS

 

Note

  • Based on CIPA measurement conditions
  • *When using M.Zuiko Digital ED 12-40mm F2.8 PRO II. Focal length: 40mm (35mm equivalent: 80mm)
  • **When using the M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO. Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilisation Off, Frame rate: High

 

Focusing System

Method

TTL phase difference detection system, contrast detection system

 

Predictive AF

Available

 

Manual focus

Available, with enlarged focusing area, focus peaking and focus indicator

 

Focus areas

  • 1053 points / cross-type phase detection AF
  • 1053 points / contrast AF
  • All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points) , Custom target* (AF area and its increment steps selectable)*Number of saved custom target settings: 4

 

AF illuminator

Equipped

 

AF lock

Available, Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised)

 

AF targeting pad

Available (activate/deactivate with double tap on rear monitor)

 

AF working range

-8 – 19EV (ISO approx.100, with a f/1.2 lens)

 

Focus limit

Available

 

Separate AF-On button

Available

 

AF tracking

Available, Available in continuous AF mode

 

Focus Bracketing Mode

Compatible with: All Micro Four Thirds AF lenses

 

Number of images

3 – 999 shots

 

Step size

10 levels

 

Modes

Continuous AF*, AF* Tracking, Bracketing, Preset MF**, Stacking, Manual focus, Single AF*

 

Note

  • * incl. manual override
  • ** Distance setting values are rough estimates and only AF lenses can be used.

 

Focus peaking

———-

 

Back light effect

On / Off

 

Color selection

White, black, red, yellow

 

Intensity

High / Normal / Low

 

Intelligent Subject Detection AF

Aircrafts, Birds, Bullet trains, Cats, Dogs, Formula cars, Helicopters, Motorcycles, Ralley cars, Standard trains, Steam locomotives, Human

 

Focus Stacking Mode

———-

 

Technology

3-15 images are taken at different focus points and automatically composited together into a single image

 

Compatible Lenses

M.Zuiko Digital ED 60mm F2.8 Macro, M.Zuiko Digital ED 30mm F3.5 Macro, M.Zuiko Digital ED 7-14mm F2.8 PRO, M.Zuiko Digital ED 8-25mm F4 PRO, M.Zuiko Digital ED 8mm F1.8 Fisheye PRO, M.Zuiko Digital ED 12-40mm F2.8 PRO, M.Zuiko Digital ED 12-40mm F2.8 PRO II, M.Zuiko Digital ED 12-45mm F4 PRO, M.Zuiko Digital ED 12-100mm F4 IS PRO, M.Zuiko Digital ED 40-150mm F2.8 PRO, M.Zuiko Digital ED 40-150mm F4.0 PRO, M.Zuiko Digital ED 100-400mm F5.0-6.3 IS, M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO, M.Zuiko Digital ED 300mm F4 PRO, M.Zuiko Digital ED 90mm F3.5 Macro IS PRO

 

Compatible Converter

M.Zuiko Digital 1.4x Teleconverter MC-14, M.Zuiko Digital 2x Teleconverter MC-20

 

Note

Angle of view becomes slightly smaller

 

Exposure System

Modes

Aperture priority, Manual, Programme automatic, Shutter priority, Bulb, Custom shooting, Custom 1, Custom 2, Custom 3, HDR, Live Composite, Movie, Time

 

Exposure compensation

  • +/- 5 EV ( 1, 1/2, 1/3 steps )
  • Note: Monitor and EVF displays only up to ±3 EV.

 

Exposure bracketing

  • 2 / 3 / 5 frames ( +/- 1/3, 2/3, 1 EV steps )
  • 7 frames ( +/- 1/3, 1/2, 2/3 EV steps )

 

ISO bracketing

3 frames ( 1/3, 1/2, 1 EV steps )

 

HDR bracketing

  • 3 / 5 frames ( +/- 2 / 3 EV steps )
  • 7 frames ( +/- 2 EV steps )

 

AE lock

  • Available
  • Shadow Adjustment Technology
  • Flicker Scan: Available for M, S and silent mode (can be confirmed in Live View)

 

Anti-Flicker Shooting function

Available

 

Multi-Exposure

Max. number of frames

2 frames (shooting)

 

Max. number (editing)

3 frames (editing)

 

Auto gain control

Available

 

Frame assistance

Live View

 

Light Metering

Method

TTL open aperture light metering

 

Zones

324 zones Multi-pattern Sensing System

 

Detection range

-2 – 20 EV (f2.8, ISO 100)

 

Modes

Centre weighted metering, ESP light metering, Highlight, Shadow, Spot metering

 

Histogram in shooting mode

Available

 

Art Filter

Modes

Bleach Bypass, Cross Process, Diorama, Dramatic Tone, Gentle Sepia, Grainy Film, Instant Film, Key Line, Light Tone, Pale & Light Colour, Partial Colour*, Pin Hole, Pop Art, Soft Focus, Vintage, Water colour

 

Variation / Effect

Available

 

Note

* 18 colours selectable

 

Sensitivity

Auto

ISO LOW* – 102400 (upper default ISO 25600)

 

Note

*approx. 80

 

Manual

ISO LOW* – 102400 in 1/3 or 1 EV ISO steps

 

Shutter

Shutter type

Computerised focal-plane shutter

 

Durability

400000 shots

 

Modes

Bracketing, Self timer, Sequential shooting, Single frame

 

Shutter Speeds

Shutter speed range

1/8000 – 60s (in 1/3, 1/2, 1 EV steps)

 

Bulb mode

Up to 30 minutes (selectable longest time in the menu, default: 8 minutes)

 

High res shot

———-

 

Shutter type

Electronic shutter

 

Shutter speed

1/8000 – 60s

 

Start delay

0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s

 

Resolution

  • JPEG: 10368×7776 / 8160 x 6120 / 5760 x 4320 RAW: 10368 x 7776 *High Res RAW Recording bit: 12bit / 14bit
  • Equivalent to 80M / 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift)
  • Available in P/A/S/M mode

 

Handheld High res shot

———-

 

Shutter type

Electronic shutter

 

Shutter speed

1/8000 – 60s

 

Resolution

  • JPEG: 8160 x 6120 / 5760 x 4320 RAW: 8160 x 6120 *High Res RAW Recording bit: 12bit / 14bit
  • Equivalent to 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift)
  • Available in P/A/S/M mode
  • Flash can not be used

 

Anti-shock mode

———-

 

Shutter type

Electronic first curtain shutter

 

Shutter speed

1/320* – 60s

 

Start delay

0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30s

 

Note

* For speeds over 1/320 sec., mechanical shutter will automatically be selected.

 

Silent mode

———-

 

Shutter type

Electronic shutter

 

Shutter speed

1/32000 – 60s

 

Start delay

0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s

 

Flicker Scan

———-

 

Stills

1/7634 – 1/50s

 

Movies

1/250 – 1/30s *

 

Note

* Frame rates greater 30fps are limited to their reciprocal value

 

White Balance

Auto Flash adjustment

Off / Auto WB / Flash

 

Keep warm color

On / Off

 

White balance bracketing

3 frames / +/- 2, 4, 6 mired steps

 

Custom WB

1 setting can be registered at Kelvin temperature (2000K – 14000K)

 

Manual White balance (One-Touch)

Available

 

One-touch white balance

4 custom settings can be registered

 

Preset values

Flash, Flourescent 1, Overcast, Shade, Sunlight, Tungsten, Underwater

 

Sequence Shooting

Speed

Approx. 10fps (selectable 1-10fps)

 

Anti-shock mode

———-

 

Speed

Approx. 10fps (selectable 1-10fps)

 

Pro Capture mode

———-

 

Speed*

Approx. 20fps (selectable 5, 10, 15, 20fps)

 

Speed SH1*

Approx. 120fps (selectable 60, 100, 120fps)

 

Speed SH2* **

Approx. 50fps (selectable 25, 50fps)

 

Note

  • *Slower shutter speeds and flash cannot be used
  • *Compatible lenses are limited.

 

Silent mode

———-

 

Speed

Approx. 20fps (selectable 5, 10, 15, 20fps with blackout)

 

Speed SH1*

Approx. 120fps (selectable 60, 100, 120fps without blackout)

 

Speed SH2* **

Approx. 50fps (selectable 12.5, 16.7, 25, 50fps without blackout)

 

Conditions

  • Memory card: KIOXIA KSDXU-A064G
  • When using the M.Zuiko Digital ED 12-40mm F2.8 PRO II
  • Low ISO processing: Priority is given to sequential shooting

 

Max. number of frames

All values are approximate

 

  • 10fps
    RAW: 139 / JPG (LF): 169
  • 20fps
    RAW: 108 / JPG (LF): 116
  • 50fps
    RAW: 96 / JPG (LF): 97
  • 120fps
    RAW: 92 / JPG (LF): 92

 

Compatible lenses to SH2 (50fps)

M.Zuiko Digital ED 12-40mm F2.8 PRO, M.Zuiko Digital ED 12-40mm F2.8 PRO II, M.Zuiko Digital ED 12-100mm F4.0 IS PRO, M.Zuiko Digital ED 40-150mm F2.8 PRO, M.Zuiko Digital ED 150-400mm F4.5 TC 1.25x IS PRO, M.Zuiko Digital ED 300mm F4.0 IS PRO

 

RAW buffer

213 frames / 120fps

 

Image Processing

Art Filter bracketing

Available

 

Color space

sRGB / AdobeRGB

 

Fisheye compensation

Available when M.Zuiko Digital ED 8mm Fisheye PRO is attached Angle of view adjustable in 3 levels Compensation automatically ON when using Underwater Modes, available (can be confirmed in Live View)

 

Gradation

4 levels (auto, high key, normal, low key)

 

Highlight & Shadow control

Highlight / Shadow / Midtone (+/- 7 steps)

 

Black & White filter

Yellow, Orange, Red, Green

 

Black & White toning

Sepia, Blue, Purple or Green in Black & White mode

 

Contrast

5 levels

 

Saturation

5 levels

 

Sharpness + Contrast

5 levels

 

Tele converter effect

2x

 

External Flash Control

Modes

2nd curtain and slow synchronisation, Auto, Fill-in for exclusive flash, Manual, Red-eye reduction, Slow synchronisation

 

Type

TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL

 

X-sync speed

1/250s / 1/8000s (Super FP Mode)

 

Intensity

+/- 3 EV ( 1/3, 1/2, 1 EV steps )

 

Compatible external flash

FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR

 

Note

Note: Some functions are only available if they are supported by the external flash.

 

Wireless Flash Control

Available when used together with cameras compatible with the Olympus wireless RC flash system.

 

Modes

Auto, FP Manual, FP TTL Auto, Manual, TTL Auto

 

Control method

Triggered and controlled (Olympus Wireless RC Flash system)

 

Group setting

4 groups

 

Compatible external flash

FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR

 

Radio control

———-

 

Radio wireless control

Available when attaching optional flash commander.

 

Number of channels

4 channels

 

Group setting

3 groups

 

Compatible commander

FC-WR, FL-700WR

 

Note

For more details see specifications of commander units.

 

Compatible receiver

FL-700WR, FR-WR + wireless RC system flash

 

Number of channels

4 channels

 

Recording Formats

 

  • JPEG
    Applied
  • RAW
    12bit
  • RAW & JPEG
    Applied parallel recording

 

Aspect ratio

4:3 / 3:2 / 16:9 / 6:6 / 3:4

 

Still Image Recording

DCF

Applied

 

Dual SD card settings

  • Standard, Auto Switch, Dual Independent, Dual Same
  • When two cards are inserted, card to be saved onto or to be viewed can be designated.

 

EXIF

2.31

 

RAW

Applied

 

Image Size

RAW

5184 x 3888

 

JPEG

5184 x 3888 – 1024 x 768

 

Movie Recording System

Recording format

MOV(MPEG-4AVC/H.264)/ MOV (HEVC/H.265)

 

Picture mode

Flat, OM-Log400, HLG (View assist compatible)

 

Time code

  • Rec run / Free run
  • Drop frame / Non-drop frame

 

Exposure Modes

Aperture priority, Manual, Programme automatic, Shutter priority

 

Image Stabilisation Mode

  • Applied Sensor shift (5-axis)
  • M-IS1 (Image sensor shift and electronic image stabilizer with multi motion IS)
  • M-IS2 (Image sensor shift with multi motion IS)

 

3840×2160 (4K)

30p, 25p, 24p / LongGOP (approx. 102 Mbps)

 

3840×2160 (4K) -2

60p, 50p / LongGOP (approx. 202 Mbps)

 

4096×2160 (C4K)

30p, 25p, 24p / LongGOP (approx. 102 Mbps)

 

4096×2160 (C4K) -2

60p, 50p / LongGOP (approx. 202 Mbps)

 

1920×1080 (FHD)

30p, 25p, 24p / ALL-I (approx. 202 Mbps)

 

1920×1080 (FHD) -2

60p, 50p / LongGOP (approx. 52 Mbps)

 

1920×1080 (FHD) -b

/ LongGOP (approx. 27 Mbps)

 

MOV(MPEG-4AVC/H.264)

———-

 

MOV (HEVC/H.265)

———-

 

3840×2160 (4K)

  • 30p, 25p, 24p / LongGOP (approx. 77 Mbps)
  • 60p, 50p / LongGOP (approx. 152 Mbps)

 

4096×2160 (C4K)

  • 30p, 25p, 24p / LongGOP (approx. 77 Mbps)
  • 60p, 50p / LongGOP (approx. 152 Mbps)

 

1920×1080 (FHD)

  • 30p, 25p, 24p / ALL-I (approx. 82 Mbps)
  • 60p, 50p / ALL-I (approx. 162 Mbps)
  • / LongGOP (approx. 42 Mbps)
  • / LongGOP (approx. 22 Mbps)

 

Note

  • Class 10 or higher SD card is recommended for movie shooting
  • UHS-II or UHS-I U3 card is recommended for ALL-I shooting

 

Maximum Recording Time

Unlimited

 

Movie Specialties

Art Filter

Bleach Bypass, Cross Process, Diorama, Dramatic Tone, Gentle Sepia, Grainy Film, Instant Film, Key Line, Light Tone, Pale & Light Colour, Partial Colour*, Pin Hole, Pop Art, Soft Focus, Vintage, Water colour

 

Note

Frame rate may drop when using certain art filter

 

Fast motion

Available

 

Flicker Scan

Available in M mode (can be confirmed in Live View)

 

HDMI Live View

———-

 

Modes

Monitor / Record / RAW

 

Monitor mode

Video signal and info display is processed

 

Note

In monitor mode, the image cannot be enlarged on the camera when a movie is being recorded.

 

RAW mode

Compatible external device

ATOMOS NINJA, NINJA ULTRA, NINJA V, NINJA V+

 

Notification:

  • In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded.
  • ProRes RAW 4:4:4 12bit is supported

 

Record mode

Only video signal is processed

 

Note

  • In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit).
  • When recording simultaneously in the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2.

 

High-Speed Recording

  • 1920×1080 (MOV) / 240fps
  • 1920×1080 / 120fps
  • 1920×1080 / 100fps

 

Time lapse

  • 4k, 1080p, 720p / 5, 10, 15, 30fps
  • Max. number of frames: 9999

 

Slow motion

Available

 

Vertical Video

  • Available
  • Video files are saved vertically when holding the camera vertically to shoot. Videos are not played in the vertical orientation on the camera.

 

Sound Recording System

Recording format

  • High quality sound recording (Stereo linear PCM/24-bit, Sampling frequency 96kHz)
  • Stereo PCM/16bit, 48kHz, Wave Format Base

 

Speaker

Equipped

 

Image footage

30s

 

Internal microphone

Stereo

 

Microphone functions

Recording Volume, Volume limiter, Wind Noise Reduction

 

View Images

Modes

Calendar, Index, Movie, Single, Zoom

 

Shooting information

Off / On

 

Highlight/Shadow point warning

Available

 

Histogram in playback mode

Available

 

Auto rotation

Available

 

Erase / Protect / Copy Function

Erase modes

Single, All, Selected

 

Image protect mode

Single frame, Selected frames, All Frames, Release protect (Single/All selected)

 

Image Editing

Editing functions

Aspect ratio, Black & White, Correction of brightness, Correction of colour balance, Correction of saturation, RAW data edit, Red-eye reduction, Resize, Sepia, Shadow Adjustment, Trimming

 

Customisation Options

Programmable button

Equipped

 

Fn Button

Equipped

 

My Mode

4 settings storable (Can be set to mode dial.)

 

Factory reset

Full / Basic

 

Menu languages in camera

Czech, Dutch, English, Finnish, French, German, Italian, Japanese, Norwegian, Polish, Portuguese, Russian, Simplified Chinese, Traditional Chinese, Thai, Turkish, Spanish, Swedish

 

Interface

Earphone jack

3.5 ø mm mini-jack

 

Synchro socket

Equipped

 

Communication method

Bluetooth® Low Energy Ver.4.2

 

HDMI™

Applied Micro connector (Type D) *

 

Microphone jack

3.5 ø mm mini-jack

 

USB 3

Type C

 

Wireless connectivity

Bluetooth®, Wi-Fi

 

Media

SD Memory Card (SDHC, SDXC, UHS-I, UHS-II compatible) Class 10 or higher SD card is recommended for movie shooting UHS-II or UHS-I U3 card is recommended for 4K, C4K, ALL-I shooting.

 

SAR

0.52W/kg

 

Note

  • SAR quantifies the maximum level of exposure of the user to electromagnetic waves, when using the device close to the head.
  • SAR shall not exceed 2W/kg in accordance with regulations of France.

 

Tethered control

  • Available USB cable (camera operation by both PC or camera controls)
  • Wi-Fi (transfer of recorded images to PC via access point, 5GHz and 2.4GHz available)

 

Note

  • * “HDMI”, the HDMI logo and “High-Definition Multimedia Interface” are trademarks or registered trademarks of HDMI Licensing LLC.
  • The Bluetooth® word mark and logos are registered trademarks owned by the Bluetooth SIG, Inc. and any use of such marks by OLYMPUS CORPORATION is under license.
  • Wi-Fi is a registered trademark of the Wi-Fi Alliance.

 

Wi-Fi Functions

Easy Connection

QR code setting

 

Wireless Shooting

P/A/S/M exposure modes, Live Composite, Bulb mode, Live View, Movie recording, Power off, Rec View, Self timer, Short movie, Touch AF & Shutter, Zoom

 

Power Supply

Battery life

———-

 

Image shooting

520 shots (using BLX-1 under CIPA testing conditions) 1100 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards)

 

Movie recording

  • 90min (standard JEITA conditions) 160min (when zoom and other operational functions are not used)
  • * Note: Values are approximate.

 

Battery

BLX-1 Lithium-Ion Battery

 

Internal Charging

USB

 

Sleep mode

1, 3, 5min. and off selectable.

 

USB bus power

USB PD bus power can be used (PD compliant camera: Rev 3.0 Ver 1.0a)

 

USB charging

Performance varies depending on different USB devices

 

Dimensions / Weight

Width

138.8mm

 

Depth

72.7mm

 

Height

91.6mm

 

Weight

599g (including battery and memory card)

 

Weight (body only)

511g (body only)

 

Environment

Humidity

30 – 90% operation humidity / 10 – 90% storage humidity

 

Temperature

-10 – 40°C Operating temperature / -20 – 60°C storage temperature

 

Exterior

Available Colours

Black

 

Vulnerability Disclosure Policy

Certification Number

IM027

 

Support Period

Product firmware

2027/01/31

 

Software & Applications

OM WORKSPACE: 2027/01/31
OM CAPTURE: 2027/01/31
OI Share: 2027/01/31

 

 

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